Waste of better possibilities, of higher qualities, of what we call our soul. To denounce this is dignified, but it is also easy and most often correspondingly useless. I wish to descend to more prosaic matters, and, as Ruskin did in his day, to denounce the mere waste of money. For the wasting of money implies nearly always all those other kinds of wasting. And although there are doubtless pastimes (pastimes promoted, as is our wont, for fear of yet other pastimes), which are in themselves unclean or cruel, these are less typically evil, just because they are more obviously so, than the amusements which imply the destruction of wealth, the destruction of part of the earth's resources and of men's labour and thrift, and incidentally thereon of human leisure and comfort and the world's sweetness.

Do you remember La Bruyère's famous description of the peasants under Louis XIV.? "One occasionally meets with certain wild animals, both male and female, scattered over the country; black, livid and parched by the sun, bound to the soil which they scratch and dig up with desperate obstinacy. They have something which sounds like speech, and when they raise themselves up they show a human face. And, as a fact, they are human beings." The Ancien Régime, which had reduced them to that, and was to continue reducing them worse and worse for another hundred years by every conceivable tax, tithe, toll, servage, and privilege, did so mainly to pay for amusements. Amusements of the Roi-Soleil, with his Versailles and Marly and aqueducts and waterworks, plays and operas; amusements of Louis XV., with his Parc-aux-Cerfs; amusements of Marie-Antoinette, playing the virtuous rustic at Trianon; amusements of new buildings, new equipages, new ribbons and bibbons, new diamonds (including the fatal necklace); amusements of hunting and gambling and love-making; amusements sometimes atrocious, sometimes merely futile, but all of them leaving nothing behind, save the ravaged grass and stench of brimstone of burnt-out fireworks.

Moreover, wasting money implies getting more. And the processes by which such wasted money is replaced are, by the very nature of those who do the wasting, rarely, nay, never, otherwise than wasteful in themselves. To put into their pockets or, like Marshall Villeroi ("a-t-on mis de l'or dans mes poches?"), have it put by their valets, to replace what was lost overnight, these proud and often honourable nobles would ante-chamber and cringe for sinecures, pensions, indemnities, privileges, importune and supplicate the King, the King's mistress, pandar or lacquey. And the sinecure, pension, indemnity or privilege was always deducted out of the bread—rye-bread, straw-bread, grass-bread—which those parched, prone human animals described by La Bruyère were extracting "with desperate obstinacy"—out of the ever more sterile and more accursed furrow.

It is convenient to point the moral by reference to those kings and nobles of other centuries, without incurring pursuit for libel, or wounding the feelings of one's own kind and estimable contemporaries. Still, it may be well to add that, odd though it appears, the vicious circle (in both senses of the words) continues to exist; and that, even in our democratic civilisation, you cannot waste money without wasting something else in getting more money to replace it.

Waste, and lay waste, even as if your pastime had consisted not in harmless novelty and display, in gentlemanly games or good-humoured sport, but in destruction and devastation for their own sake.

VIII.

It has been laid waste, that little valley which, in its delicate and austere loveliness, was rarer and more perfect than any picture or poem. Those oaks, ivy garlanded like Maenads, which guarded the shallow white weirs whence the stream leaps down; those ilexes, whose dark, loose boughs hung over the beryl pools like hair of drinking nymphs; those trees which were indeed the living and divine owners of that secluded place, dryads and oreads older and younger than any mortals,—have now been shamefully stripped, violated and maimed, their shorn-off leafage, already withered, gathered into faggots or trodden into the mud made by woodcutters' feet in the place of violets and tender grasses and wild balm; their flayed bodies, hacked grossly out of shape, and flung into the defiled water until the moment when, the slaughter and dishonour and profanation being complete, the dealers' carts will come cutting up the turf and sprouting reeds, and carry them off to the station or timber-yard. The very stumps and roots will be dragged out for sale; the earthy banks, raw and torn, will fall in, muddying and clogging that pure mountain brook; and the hillside, turning into sliding shale, will dam it into puddles with the refuse from the quarries above. And thus, for less guineas than will buy a new motor or cover an hour of Monte Carlo, a corner of the world's loveliness and peace will be gone as utterly as those chairs and tables and vases and cushions which the harlot in Zola's novel broke, tore, and threw upon the fire for her morning's amusement.

IX.

There is in our imperfect life too little of pleasure and too much of play. This means that our activities are largely wasted in pleasureless ways; that, being more tired than we should be, we lose much time in needed rest; moreover, that being, all of us more or less, slaves to the drudgery of need or fashion, we set a positive value on that negative good called freedom, even as the pause between pain takes, in some cases, the character of pleasure.

There is in all play a sense not merely of freedom from responsibility, from purpose and consecutiveness, a possibility of breaking off, or slackening off, but a sense also of margin, of permitted pause and blank and change; all of which answer to our being on the verge of fatigue or boredom, at the limit of our energy, as is normal in the case of growing children (for growth exhausts), and inevitable in the case of those who work without the renovation of interest in what they are doing.