The fine ambones; the very peculiar and beautiful galleries, with delicate columns, like a triforium on either side of choir for women; the choir with splendid episcopal seat and pale cipolin benches—Tadema like—for priests all round.
We must imagine classic antiquity full of this wonderful blond colour of marbles; arrangements of palest lilac, green, rosy yellow, and a white shimmer. Colours such as we see on water at sunset, ineffable.
April 10.
XII.
ON THE ALBAN HILLS.
The big olives, pruned square, but of full dense foliage, not smoke-like, but the colour of old dark silver; the vineyards of pale criss-cross blond canes on violet ground. The railway goes round Lake Albano, reflecting blue stormy sky and white cloud balls; a gash when the current alters shows marvellous hyacinth blue. A fringe of budding little trees and of great pale asphodels; the smell of them and of freshness.
Beautiful circular church, cupola silvery, ribbed outside, at Ariccia, opposite Palazzo Chigi; a great grim palace, stained grey with damp and time, flanked by four sorts of towers; windows scarce. This solemn type of sixteenth-century White Devil of Italy palace or villa recurs in this neighbourhood; places to keep their secrets; some apparently on the very border of the Campagna, where vines and olives end. Wonderful woods full of flowers between Albano and Genzano.
The little round Lake of Nemi disappointed me.
Bicycling to Marino, Lake Albano seen from above, waters reflecting black storm, sere oakwoods of Rocca di Papa stormy purple too, and round the highest Latin peak, which looks like an altar slab, a great inky storm, water, hills, sky, all threatening inky green and violet; and against them, on the hill ridge of stones, the delicate pale pink chandeliers of the asphodels.