A little contraction passed across the girl's face, and she answered in a hurried, husky voice:

"No, no; that would be all over."

And they fell again to the catalogue. It was a very hard day's work, that first one, for the catalogue was in horrid confusion; and they really could not have had time to talk much about other things, for they went on with merely a brief space for lunch, and Greenleaf was sent for a walk with one of the boys at tea time, while Miss Flodden unwillingly entertained some neighbours. Then at dinner the conversation, in which she took no part, rolled mainly upon local pedigrees, crops, how many fish the boys had caught, in what houses friends were staying, whom sundry young ladies of the neighbourhood were likely to marry, and how many bags had been made at the various shoots. Still, despite these irrelevant interests, Miss Flodden seemed to have understood why Greenleaf had expected her to like the sale of the collection, and Greenleaf to have understood why Miss Flodden should have been vexed at the collection being sold. At least there was a sense of mutual comprehension and good-will, such as the morning had scarcely promised. And when, after fretting a little over more bags of game and more local pedigrees, with his host and the boys after dinner, Greenleaf returned to find the ladies in various stages of somnolence, over the drawing-room fire; he experienced an odd sense of the naturalness of things when Miss Flodden asked whether he could play the piano, and took her violin out of its case.

Miss Flodden did not play exactly well, for it appears that very few people do; and she, of course, had had but little opportunity of learning. Yet, in a way, she played the fiddle much better, Greenleaf felt, than he himself, who was decidedly a proficient, could play the piano. For there was in her playing the expression not merely of talent, but of extraordinary, passionate, dogged determination to master the instrument. It was as much this as the actual execution which gave the charm to her performance. To Greenleaf the charm was immense. He nearly always played, when he did play, with men; and he hated the way in which the fiddle crushes the starched hideous shirt, the movement of bowing rucks the black sleeve and hard white cuff too high above the red, masculine wrist; and among the dreams of his life there had always been a very silly one, of a younger sister—he always thought of her as called Emily—who would have learned the violin, and who would have stood before him like this, bow in hand, while he looked up from his piano. It seems odd, perhaps, that the fair violinist should never have appeared to his mind as a possible wife; but so it was. And so it was that this image, which had dawned upon his school-boy fancy long before the delectableness of marriage could ever be understood, and when his solitary little soul still smarted at his dull, grown-up, companionless home—so it was that the image of "Emily"—the imaginary sister with the violin—had gradually taken the place in his heart of that grave Miss Delia Carpenter, the only woman whom he had ever loved, and who had told him she was in love with another.

The family was beginning to disperse; the girls to wake up yawning from their novels or their embroidery; the father to start suddenly from his slumber over the Times; the boys, having satisfied themselves in the newspapers about the number of brace of grouse, had sneaked off to prepare flies for the next day's fishing; and still the duet went on, the image of "Emily" gradually acquiring the blue eyes (its own had been brownish) and clear-cut, nervous features (she had hitherto had an irregular style of beauty) of Val Flodden.

"That's enough," said Miss Flodden, putting her violin tenderly—she had the same rather unwonted tenderness with some of the majolica—into its case, and looking round at the sleepy faces of the family. "Jack, give Mr. Greenleaf his candle. And," she added, as they shook hands, "you'll tell me some more about how it will be when everybody works and has leisure, won't you, to-morrow?"

That night Greenleaf saw in his dreams his father's rectory among the south country pines, the garden and paddock, the big library and loft full of books; and among it all there wandered about, rather dim in features, but unhesitatingly recognised, that imaginary sister, the violinist Emily.

VI.

"Tell me more about the Miss Carpenters," said Miss Flodden shyly, keeping her eyes fixed on the rapidly flowing twist of water between the big shingle, where every now and then came the spurt of a salmon's leap.

They were seated, after tea, and another hard day's cataloguing, under some beech trees that overhung the Tweed. From the fields opposite—no longer England, already Scotland—came the pant and whirr of a threshing-machine; while from the woods issued the caw of innumerable rooks, blackening the sky. A heron rose from among the reeds of the bank, and mounted, printing the pale sky with his Japanese outline. There was incredible peacefulness, not unmixed with austerity, in the gurgle of the water, the green of the banks, the scent of damp earth.