"What have you got there? Oh, only the Sora Lena!" and Madame Fosca reverted to the contemplation of the smoke-rings she was making.
"Tell me about her—Sora Lena, did you say?" asked the younger lady eagerly.
She spoke French, but with a pretty little American accent, despite her Polish name. She was very charming, Cecchino said to himself, a radiant impersonation of youthful brightness and elegance as she stood there in her long, silvery furs, holding the drawing with tiny, tight-gloved hands, and shedding around her a vague, exquisite fragrance—no, not a mere literal perfume, that would be far too coarse but something personal akin to it.
"I have noticed her so often," she went on, with that silvery young voice of hers; "she's mad, isn't she? And what did you say her name was? Please tell me again."
Cecchino was delighted. "How true it is," he reflected, "that only refinement, high-breeding, luxury can give people certain kinds of sensitiveness, of rapid intuition! No woman of another class would have picked out just that drawing, or would have been interested in it without stupid laughter."
"Do you want to know the story of poor old Sora Lena?" asked Cecchino, taking the sketch from Madame Krasinska's hand, and looking over it at the charming, eager young face.
The sketch might have passed for a caricature; but anyone who had spent so little as a week in Florence those six or seven years ago would have recognised at once that it was merely a faithful portrait. For Sora Lena—more correctly Signora Maddalena—had been for years and years one of the most conspicuous sights of the town. In all weathers you might have seen that hulking old woman, with her vague, staring, reddish face, trudging through the streets or standing before shops, in her extraordinary costume of thirty years ago, her enormous crinoline, on which the silk skirt and ragged petticoat hung limply, her gigantic coal-scuttle bonnet, shawl, prunella boots, and great muff or parasol; one of several outfits, all alike, of that distant period, all alike inexpressibly dirty and tattered. In all weathers you might have seen her stolidly going her way, indifferent to stares and jibes, of which, indeed, there were by this time comparatively few, so familiar had she grown to staring, jibing Florence. In all weathers, but most noticeably in the worst, as if the squalor of mud and rain had an affinity with that sad, draggled, soiled, battered piece of human squalor, that lamentable rag of half-witted misery.
"Do you want to know about Sora Lena?" repeated Cecco Bandini, meditatively. They formed a strange, strange contrast, these two women, the one in the sketch and the one standing before him. And there was to him a pathetic whimsicalness in the interest which the one had excited in the other. "How long has she been wandering about here? Why, as long as I can remember the streets of Florence, and that," added Cecchino sorrowfully, "is a longer while than I care to count up. It seems to me as if she must always have been there, like the olive-trees and the paving stones; for after all, Giotto's tower was not there before Giotto, whereas poor old Sora Lena—But, by the way, there is a limit even to her. There is a legend about her; they say that she was once sane, and had two sons, who went as Volunteers in '59, and were killed at Solferino, and ever since then she has sallied forth, every day, winter or summer, in her best clothes, to meet the young fellows at the Station. May be. To my mind it doesn't matter much whether the story be true or false; it is fitting," and Cecco Bandini set about dusting some canvases which had attracted the Baroness Fosca's attention. When Cecchino was helping that lady into her furs, she gave one of her little brutal smiles, and nodded in the direction of her companion.
"Madame Krasinska," she said laughing, "is very desirous of possessing one of your sketches, but she is too polite to ask you the price of it. That's what comes of our not knowing how to earn a penny for ourselves, doesn't it, Signor Cecchino?"
Madame Krasinska blushed, and looked more young, and delicate, and charming.