Blood and Sand

by Vicente Blasco Ibáñez

The audience did not dare to speak, nor scarcely to breathe, but admiration flashed in their eyes. What a man! He was going up to the very horns:... He stamped impatiently on the sand with one foot, inciting the animal to attack, and the enormous mass of flesh, with its sharp defences, fell bellowing upon him. The muleta passed over its horns, which grazed the tassels and fringes of the matador's costume. He remained firm in his place, his only movement being to throw his body slightly back. A roar from the masses replied to this pass of the muleta, "Olé!"...

The brute turned, once more attacking the man and his rag, and the pass was again repeated amid the roars of the audience. The bull, each time more infuriated by the deception, again and again attacked the fighter who repeated the passes with the muleta, scarcely moving off his ground, excited by the proximity of danger and the admiring acclamations of the crowd, which seemed to intoxicate him.

Gallardo felt the wild beast's snorting close to him. Its breath moist with slaver fell on his face and right hand. Becoming familiar with the feeling he seemed to look on the brute as a good friend who was going to let himself be killed, to contribute to his glory.

At last the bull remained quiet for a few instants as if tired of the game, looking with eyes full of sombre reflexion at this man and his red cloth, suspecting in his limited brain the existence of some stratagem that, by attack after attack, would lead him to his death.

Gallardo felt the great heart-beat of his finest feats. Now then! He caught the muleta with a circular sweep of his left hand, rolling it round the stick, and raised his right to the height of his eyes, standing with the sword bending down towards the nape of the brute's neck. A tumult of surprised protest broke from the crowd: "Don't strike!" ... shouted thousands of voices: "No!... No!"...

It was too soon. The bull was not well placed, it would charge and catch him. He was acting outside all rules of the art. But what did rules or life itself signify to that reckless man!...

Suddenly he threw himself forward with his sword at the same instant that the beast fell upon him. The encounter was brutal, savage. For an instant man and beast formed one confused mass, and thus advanced a few paces. No one could see who was the conqueror; the man with one arm and part of his body between the two horns; or the brute lowering his head and fighting to catch on those horns the brilliantly coloured golden puppet which seemed to be slipping away from him.

At last the group separated. The muleta remained on the ground like a rag, and the fighter, his hands empty, emerged staggering from the impetus of the shock, till some distance away he recovered his equilibrium. His clothes were disordered, and the cravat floating outside the waistcoat was gashed and torn by the bull's horns.

The bull continued its rush with the impetus of the first charge. On its broad neck, the red pommel of the sword, buried up to the hilt scarcely could be seen. Suddenly it stopped short in its career, rolling with a painful curtseying motion; then folded its fore-legs, bent its head till its bellowing muzzle touched the sand, and finally subsided in convulsions of agony.

It seemed as though the whole Plaza were falling down, as if all its bricks were rattling against one another; as if the crowd was going to fly in panic, when all rose suddenly to their feet, pale, trembling, gesticulating, waving their arms. Dead! What a sword thrust!... They had all thought for a second, that the matador was impaled on the bull's horns, all thought they would assuredly see him fall bleeding on the sand, but now they saw him, standing there, still giddy from the shock, but smiling!... The surprise and astonishment of it all increased their enthusiasm.