Blood and Sand

by Vicente Blasco Ibáñez

"A fight in No. 3!" they yelled joyfully. "Now there's a row in No. 5!"

Finally the whole audience caught the contagion, got excited, and stood up, each trying to look over his neighbour's head, but all they were able to see was the slow ascent of the police, who pushed a way for themselves from bench to bench, and finally reached the group where the disturbance was going on.

"Sit down!" ... shouted the more peaceable, who were prevented from seeing the arena, where the toreros were continuing their work.

The general tumult was gradually calmed and the rows of heads round the circular line of benches resumed their previous regularity during the progress of the corrida. But the audience seemed to have its nerves over-strained, and gave vent to its feelings, by uncalled-for animosity, or contemptuous silence towards certain of the fighters.

The crowd, exhausted by its previous outburst of emotion, regarded all that followed as insipid, and so diverted its boredom by eating and drinking. The refreshment sellers of the Plaza walked round between the barriers, throwing up the articles asked for with marvellous dexterity. Oranges flew like golden balls up to the very highest benches, in a straight line from the hands of the seller to that of the buyer, as if drawn by a thread. Bottles of aerated drinks were opened, and the golden wine of Andalusia shone in the glasses.

Soon a current of curiosity ran round the seats. Fuentes was going to fix banderillas in his bull, and everyone expected something extraordinarily dexterous and graceful. He advanced alone into the midst of the Plaza, with the banderillas in his hand, quiet and self-possessed, moving slowly, as if he were beginning some game. The bull followed his movements with anxious eyes, astonished to see this man alone in front of him, after the previous hurly-burly of outspread cloaks, cruel pikes sticking into his neck, and horses which placed themselves in front of his horns, as if offering themselves to his attack.

The man hypnotised the beast, approaching so close as even to touch his pole with the banderillas. Then with short tripping steps he ran away, pursued by the bull, which followed him as though fascinated, to the opposite end of the Plaza. The animal seemed cowed by the fighter, and obeyed his every movement, until at last, thinking the game had lasted long enough, the man opened his arms with a dart in either hand, drew up his graceful slim figure on tip-toe, and advancing towards the bull with majestic tranquillity, fixed the coloured darts in the neck of the surprised animal.

Three times he performed this feat, amid the acclamations of the audience. Those who thought themselves "connoisseurs" now had their revenge for the explosion of admiration provoked by Gallardo. This was what a true torero should be! This was real art!

Gallardo stood by the barrier, wiping the sweat from his face with a towel handed to him by Garabato. Afterwards he drank some water, and turned his back on the circus, so as not to see the prowess of his rival. Outside the Plaza he esteemed his rivals with the fraternity established by danger; but once they trod the arena they all became his enemies and their triumphs pained him like insults. This general enthusiasm for Fuentes which obscured his own great triumphs seemed to him like robbery. On the appearance of the fifth bull, which was his, he leapt into the arena, burning to astonish everybody by his prowess.

If a picador fell he spread his cloak and drew the bull to the other end of the arena, bewildering it with a succession of cloak play that left the beast motionless. Then Gallardo would touch it on the muzzle with one foot, or would take off his montero and lay it between the animal's horns. Again and again he took advantage of its stupefaction and exposed his stomach in an audacious challenge, or knelt close to it as though about to lie down beneath its nose.