Ulysses passed an entire day with the tranquillity of one who awaits at a sure place, gazing at the gulf from the balcony. Below him was the Castello dell' Ovo connected with the land by a bridge.
The bersaglieri were occupying their ancient castle, work of the viceroy, Pedro of Toledo. Many turrets of dark rose color were crowded together upon this narrow, egg-shaped island, where, in other days, the pusillanimous Spanish garrison was locked in the fortress for the purpose of aiming bombards and culverins at the Neapolitans when they no longer wished to pay taxes and imposts. Its walls had been raised upon the ruins of another castle in which Frederick II had guarded his treasures, and whose chapel Giotto had painted. And the medieval castle of which only the memory now remained had, in its turn, been erected upon the remnants of the Palace of Lucullus, who had located the center of his celebrated gardens in this little island, then called Megaris.
The cornets of the bersaglieri rejoiced the captain like the announcement of a triumphal entry. "She's going to come! She's going to come at any moment!…" And he would look across the double mountain of the island of Capri, black in the distance, closing the gulf like a promontory, and the coast of Sorrento as rectilinear as a wall. "There she is…." Then he would lovingly follow the course of the little steamboats plowing across the immense blue surface, opening a triangle of foam. In some of these Freya must be coming.
The first day was golden and full of hope. The sun was sparkling in a cloudless sky, and the gulf was foaming with bubbles of light under an atmosphere so calm that not the slightest zephyr was rippling its surface. The smoke plume of Vesuvius was upright and slender, expanding upon the horizon like a pine tree of white vapor. At the foot of the balcony the strolling musicians kept succeeding each other from time to time, singing voluptuous barcarolles and love serenades…. And—she did not come!
The second day was silvery and desperate. There was fog on the gulf; the sun was no more than a reddish disk such as one sees in the northern countries; the mountains were clothed with lead; the clouds were hiding the cone of the volcano; the sea appeared to be made of tin, and a chilly wind was distending sails, skirts, and overcoats, making the people scurry along the promenade and the shore. The musicians continued their singing but with melancholy sighs in the shelter of a corner, to keep out of the furious blasts from the sea. "To die…. To die for thee!" a baritone voice groaned between the harps and violins. And—she came!
Upon learning from the waiter that the signora Talberg was in her room on the floor below, Ulysses thrilled with restlessness. What would she say upon finding him installed in her hotel?…
The luncheon hour was at hand, and he impatiently awaited the usual signals before going down to the dining room. First an explosion would be heard behind the albergo making the walls and roofs tremble, swelling out into the immensity of the gulf. That was the midday cannonade from the high castle of S. Elmo. Then cornets from the Castello dell' Ovo would respond with their joyous call to the smoking olio, and up the stairway of the hotel would come the beating of the Chinese gong, announcing that luncheon was served.
Ulysses went down to take his place at table, looking in vain at the other guests who had preceded him. Freya perhaps was going to come in with the delay of a traveler who has just arrived and has been occupied in freshening her toilet.
He lunched badly, looking continually at a great glass doorway decorated with pictures of boats, fishes, and sea gulls, and every time its polychromatic leaves parted, his food seemed to stick in his throat. Finally came the end of the lunch, and he slowly sipped his coffee. She did not appear.
On returning to his room, he sent the whiskered steward in search of news…. The signora had not lunched in the hotel; the signora had gone out while he was in the dining-room. Surely she would show herself in the evening.