With a certain respect he combed the long lock that crowned the occiput of the maestro, braided it and, postponing the completion of the operation, fixed it on the top of his head with two hairpins, leaving its final arrangement until later. Now he must occupy himself with the feet, and he stripped the athlete of his socks, leaving him dressed only in an undershirt and drawers of silk mesh.
Gallardo's strong muscles were outlined beneath this clothing in vigorous protuberances. A hollow in one thigh showed a deep scar where the flesh had disappeared on account of a horn-stab. Signs of old wounds were marked by white spots on the brown skin of his arms. His breast, dark and free from hair, was crossed by two irregular purplish lines, with a round depression, as if it had served as a mould for a coin. But his gladiatorial person exhaled an odor of clean brave flesh, mingled with strong but effeminate perfumes.
Garabato, with an armful of cotton and white bandages, knelt at the swordsman's feet.
"Like the ancient gladiators," said Dr. Ruiz, interrupting his conversation with the man from Bilbao; "thou hast become a Roman, Juan."
"Age, doctor," answered Gallardo with a certain melancholy. "We all have to grow old. When I used to fight bulls and hunger too, I didn't need this—and I had feet of iron in doing the cape-work."
Garabato introduced little tufts of cotton between his master's toes; then he covered the soles and upper part with a layer of this soft material and, putting on the bandages, began to bind them in tight spirals, as the ancient mummies are enwrapped. To fasten this arrangement he took the threaded needles he wore on one sleeve and carefully sewed the ends of the bandages.
Gallardo stamped on the floor with his compressed feet, which seemed firmer inside their soft swathing. Thus encased they felt strong and agile. The servant then drew on long stockings which reached half way up his leg; they were thick and flexible like leggings—the only defence of the legs under the silk of the fighting dress.
"Be careful about wrinkles. Look out, Garabato, I don't like to wear pockets!"
And he stood up to look at himself in the two panels of the mirror, stooping to pass his hands over his legs and smooth out the wrinkles. Over the white stockings Garabato drew on others of rose-colored silk. Then Gallardo thrust his feet into his low shoes, choosing them from among several pairs that Garabato had put on a trunk, all with white soles and perfectly new.
Now the real task of dressing began. The servant handed him his fighting trousers held by the legs,—tobacco-colored silk with heavy embroideries of gold on their seams. Gallardo put them on and the thick cords with gold tassels that closed the knees, congesting the leg with artificial fulness, hung to his feet.