The Blood of the Arena

by Vicente Blasco Ibáñez

Often when they slept in the open air near a station awaiting the passing of a train, a couple of guards would come up to them. On seeing the red bundles that served as pillows for these vagabonds, their suspicions were quieted. They gently removed the boys' caps, and on finding the hairy appendage they went away laughing without further investigation. These were not young thieves; they were apprentices who were going to the capeas. And in this tolerance there was a mixture of sympathy for the national sport and of respect for the obscure possibilities of the future. Who could tell if one of these ragged youths, despite his present appearance of poverty, might not in the future be a "star of the art," a great man who would kill bulls for the entertainment of kings, and live like a prince, and whose deeds and sayings would be exploited in the newspapers?

One afternoon, the Little Cobbler was left alone in a town of Extremadura. For the admiration of the rustic audience which applauded the famous bull-fighters "come purposely from Seville," the two boys threw banderillas at a fierce and ancient bull. Little Juan stuck his pair into the beast and was posing near a view-stand, proudly receiving the popular ovation of tremendous hand-clappings and proffers of cups of wine, when an exclamation of horror sobered him in his intoxication of glory. Chiripa was no longer on the ground of the plaza; only the banderillas rolling in the dust, one slipper and a cap were there. The bull was moving about as if irritated by some obstacle, carrying hooked on one of his horns a bundle of clothing resembling a puppet. With the violent tossing of his head the shapeless roll was loosened from the horn, ejecting a red stream, but before touching the ground it was caught by the opposite horn which in its turn tossed it about during what seemed an interminable time. At last, the sorry bulk fell to the dust and there it stayed, flabby and inert, like a punctured wine-skin expelling its contents.

The herder with his leaders took the bull into the corral, for no one else dared go near him, and poor Chiripa was carried upon a stretcher to a wretched little room in the town-house that served as a jail. His companion looked at him with a face as white as if made of plaster. Chiripa's eyes were glazed and his body was red with the blood which could not be stopped by the cloths wet with water and vinegar, which were applied in lieu of anything better.

"Adio', Little Cobbler!" he moaned. "Adio', Juanito!"

And he said no more. The companion of the dead youth, terrified, started on his return to Seville still seeing his glassy eyes, hearing his mournful good-bye. He was filled with fear. A gentle cow appearing in his path would have made him run. He thought of his mother and of the prudence of her counsel. Would it not be better to dedicate himself to shoemaking and live tranquilly? But these resolutions only lasted while he was alone. When he reached Seville he felt the return of exhilaration. Friends rushed to him to hear about the death of poor Chiripa in every detail. Professional bull-fighters questioned him in Campana Street, remembering with pity the little vagabond with the pock-marked face who had often run errands for them. Juan, fired by such signs of consideration, gave rein to his powerful imagination, describing how he had thrown himself upon the bull when he had seen his poor companion hooked, how he had grabbed the beast by the tail and achieved even more wonderful feats, in spite of which the other boy had left this world.

The impulse of fear vanished. Bull-fighter—nothing but a bull-fighter! Since others were, why should he not be one? He recollected his mother's spoiled beans and hard bread; the deprivation each pair of new pantaloons had cost him; the hunger, that inseparable companion of many of his expeditions. Moreover he had a vehement desire for all the joys and displays of life; he gazed with envy at the coaches and the horses; he stood transfixed before the doors of the great houses through whose iron grilles he saw courtyards of Oriental sumptuousness and arcades of colored tiles, pavements with marble and chattering fountains casting a stream of pearls day and night into a basin surrounded by foliage. His fate was sealed. To kill bulls or die! To be rich, to have the newspapers talk of him, and to have the people bow to him, even though it were at the price of his life. He despised the lower grades of the art. He saw the banderilleros expose their lives equally with the swordsmen in exchange for thirty duros for each bull-fight; and, after a round of toil and horn-stabs, become old, with no other future than some wretched business bought with paltry savings, or else a position at the slaughter-house. Some died in the hospital; others begged alms from their youthful companions. He would have nothing to do with banderilleros nor with spending long years in a cuadrilla in submission to the despotism of a maestro. He would begin with killing bulls; he would tread the sand of the plazas as a swordsman!

The misfortune of poor Chiripa gave him a certain ascendency over his companions, and he formed a cuadrilla of ragged youths who marched behind him to the capeas of the pueblos. They respected him because he was braver and better dressed. Some young girls of the street, attracted by the manly beauty of the Little Cobbler, who was now in his eighteenth year, and predisposed by his coleta, disputed in noisy competition the honor of taking care of his comely person. Moreover he counted on a patron, an old magistrate who had a weakness for the courage of young bull-fighters and whose friendship infuriated Señora Angustias and caused her to let loose some most indecent expressions which she had learned at the Tobacco Factory in her younger days.

The Little Cobbler dressed himself in suits of English cloth well fitted to the elegance of his figure, and his hat was always resplendent. His friends took scrupulous care of the whiteness of his collars and furbelows, and on certain days he proudly wore on his waistcoat a heavy gold chain, a loan from his respectable friend, that had already figured around the necks of other "boys who were starting out."

He mingled with broken-down bull-fighters; he could pay for the drinks of the old peones who recalled the deeds of famous swordsmen. It was believed for a certainty that some protectors were exerting themselves in favor of this "boy," awaiting a propitious occasion for him to make his début in a fight of young bullocks in the plaza of Seville.

The Little Cobbler was now a matador. One day, at Lebrija, when a lively little young bull came into the plaza, his companions had urged him on to the greatest luck. "Dost thou dare to kill him?" And he killed him! Henceforward, fired by the ease with which he had escaped danger, he went to all the capeas in which they announced that a bull was to be killed, and to all the granges where bulls were to be fought to the death.