The Dead Command / From the Spanish Los Muertos Mandan

by Vicente Blasco Ibáñez

"Flower of the Almond," said the poet.

"Flower of the Almond? A pretty name."

Encouraged by the señor's approbation, the youth continued talking. The "Flower of the Almond" was Margalida, the daughter of señor Pèp of Can Mallorquí. The Minstrel himself had given her this name, seeing her as white and beautiful as the flowers which the almond tree puts forth when the frosts are done and the first warm breezes blowing in from the sea announce the spring. All the youths roundabout repeated it, and Margalida was known by no other name. He had a certain gift for thinking of pretty sobriquets. Those which he gave lasted forever.

Febrer listened to the boy's words with a smile. In what a strange creature had the muse taken refuge! He asked the youth if he worked, and the boy replied negatively. His parents did not wish him to do so; a doctor from the city had seen him in the market place one day and advised his family that he must avoid all fatigue; and he, pleased at such counsel, spent the working days in the country in the shade of a tree, listening to the songs of the birds, spying on the girls walking along the paths, and when some new verse rung in his head he sat down on the seashore to quietly work it out and fix it in his memory.

Jaime took leave of him, saying that he might continue his poetic occupation, but a few steps away he stopped, turning his head at not hearing the tambourine again. The troubador was going down the hill, fearful of annoying the señor with his music, and seeking another solitary retreat.

Febrer reached the tower. All that which from a distance seemed to belong to a lower story was massive foundation. The door was on a level with the elevated windows; thus the guards in early days could avoid being surprised by the pirates. For ingress and egress they made use of a ladder which they drew up after them at night. Jaime had ordered made a rude wooden ladder by which to reach his room, but he never drew it in. The tower, constructed of sandstone, was somewhat eroded on its exterior by the winds from the sea. Many stones had fallen from their places, and these hollows simulated steps for scaling the tower.

The hermit ascended to his habitation. It was a round room with no other opening than the door and the window, which almost seemed to be tunnels, so great was the thickness of the walls. These, on the inside, were carefully whitewashed with the gleaming lime of Iviza, giving a transparency and milky softness to all the buildings, and to the modest little country houses the appearance of elegant mansions. Only on the ceiling, broken by a skylight, which told of the ancient ladder-way leading to the flat-roof above, did there remain any trace of the soot of the fires which used to be lighted in former days.

Rough boards, crudely fastened to wooden cross-pieces, which served to reinforce them, were used for door, window-shutter, and ceiling trap-door. There was not a pane of glass in the tower. It was still summer, and Febrer, undecided, and, in truth, indifferent as to his future, put off the details of actually settling down until some other time.

This retreat seemed to him romantic and pleasing, in spite of its crudity. He detected in it the skilful hand of Pèp and the grace of Margalida. He noticed the whiteness of the walls, the neatness of three chairs and of the deal table, all scrubbed by the daughter of his former tenant. Fish nets were draped upon the walls like tapestry; beyond hung the gun and a bag of cartridges. Long, slender sea-shells with the brown translucency of the tortoise were arranged in the form of fans. They were the gift of Tío Ventolera, as were two enormous periwinkles on the table, white, with erect points, and the interior of a moist rose-color, like feminine flesh. Near the window his mattress lay rolled up with his pillow and sheets—a rustic bed which Margalida or her mother made every afternoon.

Jaime slept there more peacefully than in his palace in Palma. When Tío Ventolera failed to awaken him at dawn by singing mass down on the beach or by climbing up the hill to fling stones at the door of the tower, the hermit rested on his mattress until late in the morning, listening to the music of the sea, the great crooning mother; watching the mysterious light, a mixture of golden sun and blue waters filtering through the cracks and trembling on the white walls; hearing the gulls scream outside, as they passed before the windows in joyous flight, flinging swift shadows within the room.