"Bòn día! Bòn día!"
Many of them would not meet until the following Sunday. Along every path walked multi-colored groups; some dark, without any escort, moving slowly, as if dragging themselves along in the misery of old age; others energetic, with rustling skirts and fluttering kerchiefs, followed by a troop of boys, who shouted, whinnied like colts, and ran back and forth to attract the girls' attention.
Febrer saw a few black-clad figures leave the church, a somber group of shawled women, each affording a glimpse through the opening in the mantle of a nose reddened by the sun, and of one eye swimming in tears. They were covered by the abrigais, the winter shawl, the coarse wool wrap of ancient usage, the very sight of which on that sultry summer morning aroused sensations of torment and asphyxia. Then followed some hooded men, old peasants wearing the ceremonial cape, a gray garment of coarse wool, with broad sleeves and tight hood. The sleeves were loose and the hood was fastened under the chin, showing their brown, pirate-like faces.
They were relatives of a peasant who had died the week before. The large family, which dwelt in different parts of the cuarton, had gathered, according to custom, at the Sunday mass to honor the deceased, and when they saw one another they gave vent to their grief with African vehemence, as if the corpse still lay before their eyes. Tradition demanded that they cover themselves with the ceremonial garments, their winter dress serving to shut them up as it were in casques of mourning. They wept and perspired inside their wraps, and as each recognized a relative whom he had not seen for several days, his grief burst forth anew. Sighs of agony issued from within the heavy wrappings; the rude faces framed by the hood wrinkling and emitting howls like sick babies. They expressed their grief by melting into an incessant flood of mingled perspiration and tears. From every nose, the most visible part of these grief-struck phantoms, trembled drops which fell upon the folds of their heavy garments.
In the midst of the clamor of feminine voices, hoarse with pain, and the masculine lamentations sharpened by grief, a man began to speak with kindly authority, demanding calm. It was Pèp, of Can Mallorquí, a far-off connection of the dead man. In this island where everyone was more or less united by ties of blood, the distant relationship, although it required that he participate in the mourning, did not oblige him to don the haik worn on solemn occasions. He was dressed in black, and covered with a light wool mantle and a round felt hat that gave him a certain ecclesiastic air. His wife and Margalida, who did not consider themselves related to this family, stood at a distance, as if their bright Sunday apparel set them apart from this show of affliction.
Good natured Pèp pretended to be angry at the extremes of despair which were growing more and more vehement. Enough, enough! Let everyone return to his house, and live many years commending the dead to God's mercy.
The weeping grew louder beneath the shawls and hoods. Adios! Adios! They clasped each other's hands, they kissed each other's lips, they twisted each other's arms, as if saying farewell never to meet again. Adios! Adios! They departed in groups, each taking a different direction, toward the pine-covered mountains, toward the distant white farmhouses half hidden among fig and almond trees, toward the red rocks along the shore, and it was an absurd and incongrouous spectacle to see these heavy perspiring images, these tireless mourners, marching slowly through the resplendent green fields.
The return to Can Mallorquí was sad and silent. Pepet led the way, the bimbau between his lips buzzing like a gad-fly. From time to time he stopped to throw a stone at a bird or at a puffed-up black lizard darting among the opuntia cactus. Little impression did death make upon him! Margalida walked at her mother's side, silent, abstracted, her eyes opened very wide, beautiful bovine eyes, which looked in every direction reflecting not a single thought. She seemed to forget that behind her was Don Jaime, the señor, the revered guest of the tower.
Pèp, also abstracted, addressed an occasional word to Febrer, as if he felt need of one with whom to share his feelings.
"What an ugly thing is death, Don Jaime! Here we are, in a bit of land surrounded by the waters, unable to escape, unable to defend ourselves, awaiting the moment for the final weighing of the anchor."