"They've all gone to the dance," thought Febrer. "Suppose I go to the pueblo myself!"
He hesitated for awhile. What could he do there? He detested these diversions in which the presence of a stranger aroused animosity among the peasants. They preferred to remain by themselves. Should he, at his age, and with his austere appearance, that inspired only respect and chill, go and dance with an island maiden? He would have to keep near Pèp and the other men, breathing the odor of native tobacco, discussing the almond crop and the possibility of a frost, making an effort to bring his mind down to the level of these peasant farmers.
At last he decided to go. He dreaded solitude. Rather than spend the rest of the afternoon alone he preferred the dull, monotonous, conversation of the simple folk, a restful conversation, he said to himself, which did not compel him to think, and which left his mind in a state of sweet, animal calm.
Near San José he saw the Spanish flag floating over the roof of the alcalde's office, while the hollow beating of a drum, the bucolic quavering of a flute, and the snapping of castanets, reached his ears.
The dance took place in front of the church. The young people were formed into groups, standing near the musicians, who occupied low seats. The drummer, with his round instrument resting on one knee, beat the parchment with rhythmical strokes, while his companion blew on a long, wooden flute, carved with primitive designs. The Little Chaplain was flipping castanets as enormous as the shells brought in by Tío Ventolera.
The girls, their arms about each other's waists, or leaning against their shoulders, glanced with modest hostility at the young men, who strutted through the center of the plaza, hands in belts, broad felt hats thrust back to show the curls hanging over their foreheads, embroidered kerchiefs or ribbon cravats around their necks, wearing sandals of immaculate whiteness, almost concealed by the bell of the velveteen trousers cut in the shape of an elephant's foot.
At one side of the plaza, seated on a hummock or on chairs from the nearby tavern, were the mothers and old women; matrons anemic and saddened in their relative youth by excessive procreation and the hardships of rural life, with eyes sunken in a blue circle that seemed to reveal internal disorders, wearing on their breasts the gold chains of their youthful days, their sleeves decorated with silver buttons. The old women, coppery and wrinkled, wearing dark dresses, sighed grievously at sight of the merriment among the young girls and boys.
After gazing for some time at these people who scarcely yielded him a glance, he placed himself beside Pèp in a circle of old peasants. They received the gentleman from the tower with respectful silence, and after puffing a few mouthfuls of smoke from pipes filled with native tobacco, they resumed their stupid conversation about the probable severity of the approaching winter and the prospects of the coming crop of almonds.
The drum continued beating, the flute shrilled, the enormous castanets clanked, but not a couple sprang into the center of the plaza. The swains seemed to confer with indecision, as if each were afraid to venture first. Besides, the unexpected presence of the Majorcan gentleman somewhat intimidated the bashful girls.
Jaime felt someone nudge his elbow. It was the Little Chaplain, who whispered mysteriously into his ear, at the same time pointing with a finger: "There's Pere the Ironworker, the famous vèrro." He designated a youth of less than medium stature, but arrogant and ostentatious in his appearance. The young men were grouped around the hero. The Minstrel was talking animatedly with him, and he was listening with condescending gravity, spitting through his half-open lips, and admiring himself for the distance to which he sent the stream of saliva.