"I think they made him a general," Atilio said. "He must have suffered heavily in that tragic farce. It is certain that he was executed by the government troops, and no one knows where he is buried."
Atilio's admiration for his grandfather, whose life had been so romantic, was dampened by the thought of his mother. Poor, an orphan, and forgotten by her relatives, she had been obliged to marry a man old enough to be her father, and led the wandering life, outside of Spain, that is forced upon the wives of consuls. Atilio was born in Leghorn, and was given the name of his godfather, an old Italian gentleman, who was a friend of the Spanish Consul. The memory of his grandfather, saddened from time to time the life of his poor, resigned, and devout mother. In Rome, visiting Spaniards, all persons of conventional ideas who came to see the Pope, would look askance on learning of her birth: "Oh, so you are the daughter of Enrique de Castro!" And she would seem to shrink, and beg their pardon with her sad, humble eyes.
"I don't disown my grandfather," Castro added. "I would like to have known him. The only thing I blame him for is that he left us so poor; though his forefathers had already done more than he to ruin us."
On days when Atilio had lost, he was more prone to complain, recalling the immense estates of the Castros, gained in the conquests in America.
"To-day there are large cities on the fields given by the king to my forefathers. One of my remote ancestors grazed horses, and built a colonial country house on land where at the present time you will find gardens, monuments, and big hotels. There were hundreds of millions of square yards; at a franc a yard, imagine, Michael! I would be richer than you, richer than all the millionaires in the world. And I'm only a well-dressed beggar. Good God! Why didn't my ancestors keep their land, instead of devoting themselves to serving the king and the people? Why didn't they do like any peasant who keeps religiously what has been left him by his ancestors?"
Other evenings, seated in the loggia, the Prince listened to Novoa and gazed at the nocturnal scene of sea and sky. There was no light, save the veiled gleam from the distant drawing-room. The coast was dark. The silhouette of Monte Carlo stood out against the starry background, without a single dot of red. There were few street lights in the city, and besides, the glass of those few was painted blue. The lamps on the stairway of the Casino were shrouded like those of a hearse. The German submarine menace kept the whole Principality, as well as the French coast, in darkness. Only at the entrance to the harbor of Monaco, the two octagonal towers kept on their summit a red and a green beacon, which threw out over the water one shifting path of rubies, and another of emeralds.
In the darkness, standing and looking at the stars, Novoa talked about the poetry of space, about distances that defy human calculations. It was impossible for Spadoni to follow this talk with the same attention as the Prince and Castro. What did the so-called tri-colored star matter to him? The millions and millions of leagues that the scientist spoke of merely made him yawn; and through an association of ideas, he became absorbed in gambling, mentally, imagining that he was winning fifty times in succession, doubling each time.
He wagered a simple five franc piece—the smallest bet allowed in the Casino—and at the end of the twenty-fifth bet he stopped as though horror-struck. He had won more than a hundred and sixty-seven million francs. In only twenty-five minutes! The Casino was closing its doors, declaring the bank broken! But this was not enough to bring him out of his dream. The marvellous five franc piece remained on the green cloth beside a mountain of money which kept growing and growing. He must finish the fifty bets, always doubling. He continued for five more times and then stopped. He had already won more than five thousand million francs. They would have to hand over the entire Principality of Monaco to him, and even that would not be enough perhaps to pay the debt. The thirty-fifth time the simple "napoleon" had become a hundred seventy-one billions of francs. They wouldn't pay him; he was sure of that. It would be necessary for all the great powers of Europe to ally themselves as though for a great war, and even then perhaps, he, the pianist, Teofilo Spadoni, would not accept the credit they might offer him.
He could no longer make the calculations mentally. The twentieth time he had been obliged to have resource to the pencil which he used in the Casino to note results of the various plays, and to the cards divided in columns which were distributed by the employees. The back of the card was rather narrow for his winnings, which kept growing so tremendously that they had reached fantastic sums. He continued his triumphant playing. At the fortieth winning he stopped. Five million million francs. Decidedly neither Europe nor the entire world would be able to pay him. The nations would have to put themselves up for sale, the globe would be put on public auction, the women would all have to sell their bodies and give him the proceeds; and even so it would be necessary to ask him for several thousands of years in which to pay the debt to him, the creditor of the universe, seated on his piano stool as though on a throne.
But although he was certain that he was being deceived, since no one on earth or heaven could guarantee the bank, he went on playing. There were only ten more bets to be made. And when he had made the fiftieth he had a sudden stroke of generosity. In his mind he gave the employees of the Casino thousands, millions, and millions of millions. For himself he only kept the amount that figured at the head of his winnings, and wrote on his card: