V

One afternoon at the end of October, Renovales noticed that his friend Cotoner was rather worried.

The master was jesting with him, making him tell about his labors as restorer of paintings in the old church. He had come back fatter and merrier, with a greasy, priestly luster. According to Renovales he had brought back all the health of the clerics. The bishop's table with its succulent abundance was a sweet memory for Cotoner. He extolled it and described it, praising those good gentlemen who, like himself, lived free from passion with no other voluptuousness in life than a refined appetite. The master laughed at the thought of the simplicity of those priests who in the afternoon, after the choir, formed a group around Cotoner's scaffold, following the movements of his hands with wondering eyes; at the respect of the attendants and other servants of the episcopal palace, hanging on Don José's words, astonished to find such modesty in an artist who was a friend of cardinals and had studied in Rome.

When the master saw him so serious and silent that afternoon after luncheon he wanted to know what was worrying him. Had they complained of his restoration? Was his money gone? Cotoner shook his head. It was not his affairs; he was worrying over Josephina's condition. Had he not noticed her?

Renovales shrugged his shoulders. It was the usual trouble: neurasthenia, diabetes, all those chronic ailments of which she did not want to be cured, refusing to obey the physicians. She was thinner, but her nerves seemed calmer; she cried less; she maintained a sad silence, simply wanting to be alone and stay in a corner, staring into space.

Cotoner shook his head again. Renovales' optimism was not to be wondered at.

"You are leading a strange life, Mariano. Since I came back from my trip, you are a different man; I wouldn't know you. Once, you could not live without painting and now you spend weeks at a time without taking up a brush. You smoke, sing, walk up and down the studio and all at once rush off, out of the house and go—well. I know where, and perhaps your wife suspects it. You seem to be having a good time, master. The deuce take the rest! But, man alive, come down from the clouds. See what is around you; have some charity."

And good Cotoner complained bitterly of the life the master was leading—disturbed by sudden impatience and hasty departures, from which he returned absent-minded, with a faint smile on his lips and a vague look in his eyes, as if he still relished the feast of memories he carried in his mind.

The old painter seemed alarmed at Josephina's increasing delicacy, acute consumption that still found matter to destroy in her organism wasted by years of illness. The poor little woman coughed constantly and this cough, that was not dry but prolonged and violent, alarmed Cotoner.

"The doctors ought to see her again."