They used to reach the trattoria at night in a merry company—she on his arm and around them the friends whose admiration for the promising young painter attracted them to him. Josephina worshiped the mysteries of the kitchen, the traditional secrets of the solemn table of the princes of the Church, which had come down to the street, taking refuge in that little room. On the white table cloth trembled the amber reflection of the wine of Orvieto in decanters, a thick, yellow, golden liquid, of clerical sweetness, a drink of old-time pontiffs, which descended to the stomach like fire and more than once had mounted to heads covered with the tiara.
On moonlit nights, they used to go from there and walk to the Colosseum to look at the gigantic, monstrous ruin under the flood of blue light. Josephina, shaking with nervous excitement, went down into the dark tunnels, groping along among the fallen stones, till she was on the open slope, facing the silent circle, which seemed to enclose the corpse of a whole people. Looking around with anxiety, she thought of the terrible beasts which had trod upon that sand. Suddenly came a frightful roar and a black beast leaped forth from the deep vomitory. Josephina clung to her husband, with a shriek of terror, and all laughed. It was Simpson, an American painter, who bent over, walking on all fours, to attack his companions with fierce cries.
"Do you remember, Pepe?" Renovales kept saying, "What days! What joy! What a fine companion the little girl was before her illness saddened her!"
They dined, talking of their youth, mingling with their memories the image of the dead. Afterwards, they walked the streets till midnight, and Renovales was always going back to those days, recalling his Josephina, as if he had spent his life worshiping her. Cotoner was tired of the conversation and said "Good-by" to the master. What new hobby was this? Poor Josephina was very interesting, but they had spent the whole evening without talking of anything else, as though memory of her was the only thing in the world.
Renovales started home impatiently; he took a cab to get there sooner. He felt as anxious as if some one were waiting for him; that showy house, cold and solitary before, seemed animated with a spirit he could not define, a beloved soul which filled it, pervading all like perfume.
As he entered, preceded by the sleepy servant, his first glance was for the water-color. He smiled; he wanted to bid good-night to that head whose eyes rested on him.
For all the Josephinas who met his gaze, rising from the shadow of the walls, as he turned on the electric lights in the parlors and hallways, he had the same smile and greeting. He no longer was uneasy in the presence of those faces which he had looked at in the morning with surprise and fear. She saw him; she read his thoughts; she forgave him, surely. She had always been so good!
He hesitated a moment on his way, wishing to go to the studios and turn on the lights. There he could see her full length, in all her grace; he would talk to her, he would ask her forgiveness in the deep silence of those great rooms. But the master stopped. What was he thinking of? Was he going to lose his senses? He drew his hand across his forehead, as if he wanted to wipe these ideas out of his mind. No doubt it was the Asti that led him to such absurdities. To sleep!
When he was in the dark, lying in his daughter's little bed, he felt uneasy. He could not sleep, he was uncomfortable. He was tempted to go out of the room and take refuge in the deserted bed-chamber as if only there could he find rest and sleep. Oh, the Venetian bed, that princely piece of furniture which kept his whole history, where he had whispered words of love; where they had talked so many times in low tones of his longing for glory and wealth; where his daughter was born!
With the energy which showed in all his whims, the master put on his clothes, and quietly, as if he feared to be overheard by his servant who slept nearby, made his way to the chamber.