They had entered between two rows of tombs so close together that as they passed they brushed against the old ornaments which crumbled and fell at the touch.
It was a simple tomb, a sort of coffin of white marble which rose a few inches above the ground, with an elevation at one end, like the bolster of a bed and surmounted by a cross.
Renovales was cold. There was Josephina! He read the inscription several times, as if he could not convince himself. It was she; the letters reproduced her name, with a brief lament of her inconsolable husband, which seemed to him senseless, artificial, disgraceful.
He had come trembling with anxiety at the thought of the terrible moment when he should behold Josephina's last resting place. To feel that he was near her, to tread upon the ground in which she rested! He would not be able to resist this critical moment, he would weep like a child, he would fall on his knees, sobbing in deadly anguish.
Well, he was there; the tomb was before his eyes and still, they were dry; they looked about coldly in surprise.
She was there! He knew it from his friend's statement, from the declamatory inscription on the tomb, but nothing warned him of her presence. He remained indifferent, looking curiously at the adjoining graves, filled with a monstrous desire to laugh, seeing in death only his sardonic buffoon's mask.
At one side, a gentleman who rested under the endless list of his titles and honors, a sort of Count of Alberca, who had fallen asleep in the solemnity of his greatness, waiting for the angel's trumpet-blast to appear before the Lord with all his parchments and crosses. On the other, a general who rotted under a marble slab, engraved with cannon, guns and banners, as though he hoped to terrify death. In what ludicrous promiscuity Josephina had come to sleep her last sleep, mingled with, forms she had not known in life! They were her eternal, her final lovers; they carried her off from his very presence and forever, indifferent to the pressing concerns of the living. Oh, Death! What a cruel mocker! The earth! How cold and cynical!
He was sad and disgusted at human insignificance—but he did not weep. He saw only the external and material—the form, always the concern of his thoughts. Standing before the tomb he felt merely his vulgar meanness, with a sort of shame. She was his wife; the wife of a great artist.
He thought of the most famous sculptors, all friends of his; he would talk to them, they should erect an imposing sepulcher with weeping statues, symbolical of fidelity, gentleness and love, a sepulcher worthy of the companion of Renovales. And nothing more; his thought went no farther; his imagination could not pass beyond the hard marble nor penetrate the hidden mystery. The grave was speechless and empty, in the air there was nothing which spoke to the soul of the painter.
He remained indifferent, unmoved by any emotion, without ceasing for a single moment to see reality. The cemetery was a hideous, gloomy, repulsive place, with an odor of decay. Renovales thought he could perceive a stench of putrefaction scattered in the wind which bent the pointed tops of the cypresses, and swayed the old wreaths and the branches of the rose bushes.