"In this situation," she said slowly, looking into space, "it isn't strange that a woman seeks happiness where she can find it. But I am very unhappy, Mariano; I don't know what love is. I have never loved."

Ah, she would have been happy, if she had married a man who was her superior. To be the companion of a great artist, of a scholar, would have meant happiness for her. The men who gathered around her in her drawing-rooms were younger and stronger than the poor count, but mentally they were even weaker than he. There was no such thing as virtue in the world, she admitted that; she did not dare to lie to a friend like the painter. She had had her diversions, her whims, just as many other women who passed as impregnable models of virtue, but she always came out of these misdoings with a feeling of disenchantment and disgust. She knew that love was a reality for other women, but she had never succeeded in finding it.

Renovales had stopped painting. The sunlight no longer came in through the wide window. The panes took on a violet opaqueness. Twilight filled the studio, and in the shadows there shone dimly like dying sparks, here the corner of a picture frame, beyond the old gold of an embroidered banner, in the corners the pummel of a sword, the pearl inlay of a cabinet.

The painter sat down beside the countess, sinking into the perfumed atmosphere which surrounded her with a sort of nimbus of keen voluptuousness.

He, too, was unhappy. He said it sincerely, believing honestly in the lady's melancholy despair. Something was lacking in his life; he was alone in the world. And as he saw an expression of surprise on Concha's face, he pounded his chest energetically.

Yes, alone. He knew what she was going to say. He had his wife, his daughter. About Milita he did not want to talk; he worshiped her; she was his joy. When he felt tired out with work, it gave him a sweet sense of rest to put his arms around her neck. But he was still too young to be satisfied with this joy of a father's love. He longed for something more and he could not find it in the companion of his life, always ill, with her nerves constantly on edge. Besides, she did not understand him. She never would understand him; she was a burden who was crushing his talent.

Their union was based merely on friendship, on mutual consideration for the suffering they had undergone together. He, too, had been deceived in taking for love what was only an impulse of youthful attraction. He needed a true passion; to live close to a soul that was akin to his, to love a woman who was his superior, who could understand him and encourage him in his bold projects, who could sacrifice her commonplace prejudices to the demands of art.

He spoke vehemently, with his eyes fixed on Concha's eyes that shone with light from the window.

But Renovales was interrupted by a cruel, ironical laugh, while the countess pushed back her chair, as if to avoid the artist who slowly leaned forward toward her.

"Look out, you're slipping, Mariano! I see it coming. A little more and you would have made me a confession. Heavens! These men! You can't talk to them like a good friend, show them any confidence without their beginning to talk love on the spot. If I would let you, in less than a minute you would tell me that I am your ideal, that you worship me."