As I returned to camp, an officer of engineers passed close by me, leading his horse by the bridle; a cannon-ball struck the animal in the narrowest part of the neck and cut it right off; the head and neck remained hanging in the officer's hand and dragged him to the ground with their weight. I had seen a bomb fall in the middle of a ring of naval officers who were sitting eating in a circle. The mess-platter disappeared; the officers, tumbling head over heels and run, as it were, on a sand-bank, shouted like the old sea captain:
"Fire starboard guns, fire larboard guns, fire all guns, fire my wig!"
These singular shots seem to pertain to Thionville. In 1558, François de Guise[101] laid siege to the place. Marshal Strozzi[102] was killed, "while talking in the trenches to the aforesaid Sieur de Guise, who had his hand on his shoulder at the time."
*
Market in camp.
A sort of market had been formed behind our camp. The peasants had brought octaves of white Moselle wine, which remained on the wagons: the horses were taken out and ate fastened to one end of the cart, while the soldiers drank at the other end. Here and there gleamed the fires of ovens. Sausages were fried in pans, hasty puddings boiled in basins, pancakes tossed on iron dishes, puffcakes swollen out on hampers. Cakes flavoured with aniseed, rye loaves at one sou, maize cakes, green apples, red and white eggs, pipes and tobacco were sold under a tree from whose branches hung coarse cloth great-coats, for which the passers-by haggled. Village women, seated astride portable stools, milked cows, while each presented his cup to the dairy-woman and waited his turn. Before the stoves roamed cutlers in smocks and soldiers in uniform. The canteen-women went about crying aloud in German and French. There were groups standing, others seated at deal tables planted askew on the uneven ground. One sought shelter at random under a packing cloth or under branches cut in the forest, as on Palm Sunday. I believe also that there were weddings in the covered wagons, in memory of the Frankish kings. The patriots could easily have followed Majorian's[103] example and carried away the bride's chariot: Rapit esseda victor, nubentemque nurum.[104] All sang, laughed, smoked. The scene was extremely gay at night, between the fires which lit up the earth and the stars shining overhead.
When I was neither on guard at the batteries nor on duty in the tent, I liked supping at the fair. There the stories of the camp were told again; but under the influence of liquor and good cheer they became much finer. One of our fellows, a brevet-captain, whose name I have forgotten in that of "Dinarzade" which we gave him, was famous for his yarns; it would have been more correct to say "Scheherazade," but we were not so careful as that. As soon as we saw him, we ran up to him, fought for him: we vied with each other as to who should have him on his score. Short of body, long of leg, with sunk cheeks, drooping mustachios, eyebrows forming a comma at the outer angle, a hollow voice, a huge sword in a coffee-coloured scabbard, the carriage of a soldier poet, something between the suicide and the jolly dog, that solemn wag Dinarzade never laughed, and it was impossible to look at him without laughing. He was the necessary second in all the duels and the lover of all the barmaids. He viewed all he said on the dark side, and interrupted his recitals only to take a pull at a bottle, relight his pipe, or swallow a sausage.
One night, when it was drizzling, we were seated round the tap of a wine-cask tilted towards us in a cart with its shafts in the air. A candle stuck on the cask lighted us; a piece of packing-cloth, stretched from the end of the shafts to two posts, served us for a roof. Dinarzade, with his sword awry after the manner of Frederic II., stood between one of the wheels and a horse's crupper, telling a story to our great content. The canteen-women who brought us our rations stayed with us to listen to our Arab. The attentive group of bacchantes and Silenuses which formed the chorus accompanied the narrative with marks of its surprise, approval, or disapproval.
"Gentlemen," said the story-teller, "you all knew the Green Knight, who lived in the days of King John[105]?"