Thus began my brother's real public career—he had arrived. After that he was able to name his own compensation, and shortly during his tours, began to sport a private dirigible of his own, which he often used for jumps between stands. He told me jokingly that it was very fitting transportation for him, as his hundred and sixty pound lift saved quite a bit of expense for helium!
He developed an astonishing set of tricks. After the jump, he would arrive on the field suspended above the dirigible doing trapeze tricks. After that, in the show tent, he would go through some more of them, with a few hair raisers of his own invention, one of which consisted of apparently letting go the rope by accident and shooting skyward with a wild shriek, only to be caught at the end of a fine, especially woven piano wire cable attached to a spring safety belt, the cable being in turn fastened into the end of the rope.
Needless to say, Alice was unable to wax enthusiastic about any of these feats, though she loyally accompanied him in his travels. She would sit in the tent gazing at him with a horrible fascination, and month by month grew thinner and more strained. Tristan felt her stress deeply; but was making money so fast that we all felt that in a short time, if not able to finance the discovery of a cure, at least he could retire and live a safer life. And he found his ideal haven of rest—in a Pennsylvania coal mine! Thus, the project grew in his mind, of buying an abandoned mine and fitting it with comfortable and spacious inverted quarters, environed with fungus gardens, air ferns and the like, plants which could be trained to grow upside down; he emerging only for necessary sun baths.
As time went on, I really grew accustomed to the situation, though seeing less and less of Tristan and Alice; during summers they were on tour, and in winter were quartered in Tristan's coal mine, which had become a reality.
So one summer day when the circus stopped at a small town where I was taking vacation, I was overjoyed at the opportunity to see them. I timed myself to get there as the afternoon performance was over, but arrived a little early, and went on into the untopped tent.
Tristan waved an inverted greeting at me from his poise on his trapeze, and I watched for a few minutes. There was an odd mood about the crowd that day, largely due to a group of loud-mouthed hill-billies from the back country—the sort which is so ignorant as to live in perpetual fear of getting "something slipped over," and so disbelieves everything it is told, looking for something ulterior behind every exterior. Having duly exposed to their own satisfaction the strong man's "wooden dumbbells," the snake charmer's rubber serpents, the fat woman's pillows, and the bearded lady's false whiskers (I don't know what they did about the living skeleton), these fellows were now gaping before Tristan's platform, and growing hostile as their rather inadequate brains failed to cook up any damaging explanation.
"Yah!" yelled a long-necked, flap-eared youth, suddenly. "He's got an iron bar in that rope!" They had come too late to see the parachute drop. Tristan grinned and pulled himself down the rope, which of course fell limp behind him. At this, the crowd jeered and booed the too-hasty youth, who became so resentfully abusive of Tristan that one of the attendants pushed him out of the tent. As he passed me, I caught fragments of wrathy words:
"Wisht I had a ... Show'm whether it's a fake...."