TENTH PAPER.
HERE is the description of my prison: eight feet square; four walls of granite, with a flagged pavement; on one side a kind of nook by way of alcove, in which is thrown a bundle of straw, where the prisoner is supposed to rest and sleep, dressed, winter, as in summer, in slight linen clothing. Over my head, instead of curtains, a thick canopy of cobwebs, hanging like tattered pennons. For the rest, no windows, not even a ventilator; and only one door, where iron hides the wood. I mistake; towards the top of the door there is a sort of window, or rather an opening of nine inches square, crossed by a grating, and which the turnkey can close at night. Outside, there is a long corridor lighted and aired by means of narrow ventilators high in the wall. It is divided into compartments of masonry, which communicate by a series of doors; each of these compartments serves as an antichamber to a dungeon, like mine. In these dungeons are confined felons condemned by the Governor of the Prison to hard labour. The three first cells are kept for prisoners under sentence of death, as being nearest to the goal, therefore most convenient for the jailor. These dungeons are the only remains of the ancient Bicêtre Castle, such as it was built in the fifteenth century by the Cardinal of Winchester, he who caused Jeanne of Arc to be burned. I overheard this description from some persons who came to my den yesterday, to gratify their curiosity, and who stared at me from a distance as at a wild beast in a menagerie. The turnkey received five francs for the exhibition.
I have omitted to say that night and day there is a sentry on guard outside the door of my cell; and I never raise my eyes towards the square grating without encountering his eyes, open, and fixed on me.
ELEVENTH PAPER.
AS there is no appearance of daylight, what is to be done during the night? It occurred to me that I would arise and examine, by my lamp, the walls of my cell. They are covered with writings, with drawings, fantastic figures, and names which mix with and efface each other. It would appear that each prisoner had wished to leave behind him some trace here at least. Pencil, chalk, charcoal,—black, white, grey letters; sometimes deep carvings upon the stone. If my mind were at ease, I could take an interest in this strange book, which is developed page by page, to my eyes, on each stone of this dungeon. I should like to recompose these fragments of thought; to trace a character for each name; to give sense and life to these mutilated inscriptions,—these dismembered phrases.
Above where I sleep there are two flaming hearts, pierced with an arrow; and beneath is written “Amour pour la vie.” Poor wretch! it was not a long engagement.
Beyond this, a three-sided cocked hat, with a small figure coarsely done beneath, and the words, “Vive l’Empereur!”
On the opposite wall is the name of “Papavoine.” The capital P is worked in arabesques and embellished with care.
A verse of a popular drinking-song.
A Cap of Liberty, cut rather deeply into the stone, with the words beneath of “Bories, La Republique!”