[CHAPTER V.]
A DRUNKARD IS NOT IMMORTAL.
The next day, as the son was setting, the few passers-by on the Boulevard de Maine took off their hats to an old-fashioned hearse, ornamented with death's-head, thigh-bones, and tears. In this hearse was a coffin covered with a white pall, on which lay an enormous black cross, like a tall dead woman with hanging arms. A draped carriage, in which could be noticed a priest in his surplice, and a chorister in his red skull-cap, followed. Two mutes in a gray uniform with black facings walked on the right and left of the hearse, while behind them came an old man in workman's garb, who halted. The procession proceeded toward the Vaugirard cemetery. Projecting from the man's pocket could be seen the handle of a hammer, the blade of a cold-chisel, and the double antennæ of a pair of pincers. This cemetery formed an exception to the others in Paris. It had its peculiar usages, just as it had a large gate and a side gate, which old people in the quarters, tenacious to old names, called the horseman's gate and the footman's gate. The Bernardo-Benedictines of the Little Picpus had obtained, as we have stated, permission to be buried there in a separate corner, and by night, because the cemetery had formerly belonged to their community. The grave-diggers, having thus an evening duty in summer and a night duty in winter, were subjected to special rules. The gates of Parisian cemeteries were closed at that period at sunset; and as this was a police measure, the Vaugirard cemetery was subjected to it like the rest. The two gates adjoined a pavilion, built by the architect Perronet, in which the porter lived, and they were inexorably closed at the moment when the sun disappeared behind the dome of the Invalides. If any grave-digger were detained at that moment in the cemetery, he had only one way to get out, his card, with which the undertaker's department supplied him. There was a species of letter-box in the shutter of the porter's window; the grave-digger threw his card into this box, the porter heard it fell, pulled the string, and the small gate opened. If the grave-digger had not his card he gave his name; the porter got up, recognized him, and opened the gate with his key; but in that case the grave-digger paid a fine of fifteen francs.
This cemetery, with its own regulations, was a flaw on the administrative symmetry, and it was put down shortly after 1830. The cemetery of Mont Parnasse succeeded it, and inherited the famous cabaret attached to the Vaugirard cemetery, which was known by the sign, "Au Bon Coing," one side of which looked out on the drinking tables, the other on the tombs. It was what might be called a faded cemetery, and it was falling into decay; green mould was invading it, and the flowers deserted it. Respectable tradesmen did not care to be buried at Vaugirard, for it had a poverty-stricken smell. La Père Lachaise, if you like! to be buried there was like having a mahogany suit of furniture. The Vaugirard cemetery was a venerable enclosure, laid out like an old French garden; in it were straight walks, box-trees, holly-trees, old tombs under old yew-trees, and very tall grass. At night it was a tragical-looking spot.
The sun had not yet set when the hearse with the white pall and black cross entered the avenue of this cemetery; and the halting man who followed it was no other than Fauchelevent. The interment of Mother Crucifixion in the vault under the altar, getting Cosette out, and introducing Jean Valjean into the dead-house, had been effected without the slightest hitch.
Let us say, in passing, that the burial of Mother Crucifixion beneath the altar is to us a very venial thing, and one of those faults which resemble a duty. The nuns had accomplished it, not only without feeling troubled, but with the applause of their conscience. In a convent, what is called "the Government" is only an interference with the authorities, which admits of discussion. First comes the rule,—as for the code, time enough for that. Men, make as many laws as you please, but keep them for yourselves! Rendering unto Cæsar only comes after rendering unto God, and a prince is nothing by the side of a principle.
Fauchelevent limped after the hearse with great satisfaction; his twin plots, the one with the nuns, the other with M. Madeleine, one for, the other against, the convent, were getting on famously. The calmness of Jean Valjean was one of those powerful tranquillities which are contagious, and Fauchelevent no longer doubted of success. What he still had to do was nothing; during the last two years he had made the grave-digger drunk a dozen times, and he played with him. He could do what he liked with Father Mestienne, and his head exactly fitted Fauchelevent's cap. The gardener's security was complete.
At the moment when the procession entered the avenue leading to the cemetery, Fauchelevent looked at the hearse with delight, and rubbed his huge hands as he said in a low voice, "What a lark!"
All at once the hearse stopped; it had reached the gates, and the permission for burying must be shown. The undertaker conversed with the porter, and during this colloquy, which occupied two or three minutes, a stranger stationed himself behind the hearse by Fauchelevent's side. He was a sort of workman, wearing a jacket with wide pockets, and holding a spade under his arm. Fauchelevent looked at the stranger, and asked him,—
"Who are you?"