The next morning at daybreak Jean Valjean was again standing by Cosette's bedside; he was motionless and waiting for her to awake: something new was entering his soul. Jean Valjean had never loved anything. For twenty-five years he had been alone in the world, and had never been father, lover, husband, or friend. At the galleys he was wicked, gloomy, chaste, ignorant, and ferocious,—the heart of the old convict was full of virginities. His sister and his sister's children had only left in him a vague and distant reminiscence, which in the end entirely faded away: he had made every effort to find them again, and, not being able to do so, forgot them,—human nature is thus constituted. The other tender emotions of his youth, if he had any, had fallen into an abyss. When he saw Cosette, when he carried her off, he felt his heart stirred: all the passion and affection there was in him was aroused and rushed toward this child. He went up to the bed on which she slept, and he trembled with joy: he felt pangs like a mother, and knew not what it was; for the great and strange emotion of a heart which is preparing to love is a very obscure and sweet thing. Poor old heart still young! But as he was fifty-five years of age and Cosette eight, all the love he might have felt during life was melted into a species of ineffable glow. This was the second white apparition he met: the Bishop had caused the dawn of virtue to rise on his horizon, and Cosette now produced that of love.
The first days passed in this bedazzlement. On her side Cosette became unconsciously different, poor little creature! She was so little when her mother left her that she did not remember; and like all children, who resemble the young vine-twigs that cling to everything, she tried to love, and had not succeeded. All had repulsed her,—the Thénardiers, their children, and other children; she had loved the dog which died, and after that nothing and nobody would have anything to do with her. It is a sad thing to say, but at the age of eight she had a cold heart. It was not her fault, it was not that she lacked the faculty of loving; but it was, alas! the possibility. Hence, from the first day, all that felt and thought within her began to love the good man; and she experienced what she had never known before,—a feeling of expansion. The man no longer even produced the effect upon her of being old or poor; she found Jean Valjean handsome, in the same way as she found the garret pretty. Such are the effects of dawn, childhood, youth, and joy. The novelty of earth and life have something to do in it, and nothing is so charming as the coloring reflection of happiness upon an attic; in this way we have all a blue garret in our past. Nature had placed a profound interval, of fifty years, between Jean Valjean and Cosette; but destiny filled up this separation. Destiny suddenly united, and affianced with its irresistible power, these two uprooted existences so different in age, so similar in sorrow; and the one, in fact, was the complement of the other. Cosette's instinct sought a father, in the same way as Jean Valjean's sought a child, and to meet was to find each other. At the mysterious moment when their two hands clasped they were welded together; and when their two souls saw each other they recognized that each was necessary to the other, and joined in a close embrace. Taking the words in their most comprehensive and absolute meaning, we may say that, separated from everything by the walls of the tombs, Jean Valjean was the widower as Cosette was the orphan, and this situation caused Jean Valjean to become in a celestial manner Cosette's father. And, in truth, the mysterious impression produced upon Cosette in the Chelles wood by Jean Valjean's hand grasping hers in the darkness was not an illusion but a reality.
Jean Valjean had selected his asylum well, and in a security which might appear perfect. The room he occupied with Cosette was the one whose window looked out on the boulevard, and as it was the only one of the sort in the house, he had not to fear the curiosity of neighbors, either in front or on his side. The ground-floor of No. 50-52, a sort of rickety pentice, was employed as a tool-house by nursery-gardeners, and had no communication with the first floor. The latter, as we have said, contained several rooms, and a few garrets, one of which alone was occupied by the old woman who looked after Jean Valjean. It was this old woman who was known as the chief lodger, and who in reality performed the duties of porter, that let him the room on Christmas day. He had represented himself as an annuitant ruined by the Spanish bonds, who meant to live there with his little daughter. He paid six months' rent in advance, and requested the old woman to furnish the room in the way we have seen; and it was this woman who lit the stove and prepared everything on the evening of their arrival. Weeks passed away, and these two beings led a happy life in this wretched garret. With the dawn Cosette began laughing, chattering, and singing; for children, like the birds, have their matin song. Sometimes it happened that Jean Valjean took her little red chilblained hand and kissed it; the poor child, accustomed to be beaten, did not know what this meant, and went away quite ashamed. At times she became serious, and looked at her little black frock. Cosette was no longer dressed in rags, but in mourning; she had left wretchedness, and was entering life. Jean Valjean set to work teaching her to read. Occasionally he thought that it was with the idea of doing evil that he learned to read at the galleys, and this idea had turned to teaching a child to read. Then the old galley-slave smiled the pensive smile of the angels. He felt in it a premeditation of heaven, and he lost himself in a reverie, for good thoughts have their depths as well as wicked. Teaching Cosette to read, and letting her play, almost constituted Jean Valjean's entire life; and then, he spoke to her about her mother, and made her play. She called him "father," and knew him by no other name. He spent hours in watching her dress and undress her doll, and listening to her prattle. From this moment life appeared to him full of interest; men seemed to him good and just; he no longer reproached any one in his thoughts, and perceived no reason why he should not live to a great age, now that this child loved him. He saw a future illumined by Cosette, as by a delicious light; and as the best men are not exempt from a selfish thought, he said to himself at times joyfully that she would be ugly.
Although it is only a personal opinion, we fancy that at the point which Jean Valjean had reached when he began to love Cosette, he required this fresh impulse to continue in the right path. He had just seen, under new aspects, the wickedness of men and the wretchedness of society; but the aspects were incomplete, and only fatally showed him one side of the truth,—the fate of woman comprised in Fantine, and public authority personified in Javert; he had returned to the galleys, but this time for acting justly; he had drunk the new cup of bitterness to the dregs; disgust and weariness seized upon him; the very recollection of the Bishop was approaching an eclipse, and though it would have perhaps reappeared afterwards luminous and triumphant, still this holy recollection was beginning to fade. Who knows whether Jean Valjean was not on the eve of growing discouraged and relapsing? But he loved and became strong again. Alas! he was no less tottering than Cosette; he protected her and she strengthened him; through him, she was able to advance in her life; through her, he could continue in the path of virtue. Oh unfathomable and divine mystery of the equilibrium of destiny!
[CHAPTER IV.]
THE REMARKS OF THE CHIEF LODGER.
Jean Valjean was so prudent as never to go out by day; every evening he walked out for an hour or two, sometimes alone, but generally with Cosette in the most retired streets, and entering the churches at nightfall. When he did not take Cosette with him, she remained with the old woman; but it was her delight to go out with him. She preferred an hour with him to the ravishing têtes-à-têtes with Catherine. He walked along holding her by the hand, and talking pleasantly with her, for Cosette's temper turned to be extremely gay.
The old woman cleaned, cooked, and bought food for them; they lived quietly, always having a little fire, but as if they were very poor. Jean Valjean had made no change in the furniture since the first day, except that he had a wooden door put up in place of the glass door in Cosette's sleeping closet. He still wore his yellow coat, black breeches, and old hat, and in the streets he was taken for a poor man. It happened at times that charitable women turned and gave him a sou, which Jean Valjean accepted with a deep bow. It happened at times also that he met some wretch asking for charity; in such a case he looked behind him to see that no one was watching, furtively approached the beggar, gave him money,—now and then silver,—and hurried away. This entailed inconveniences, for people began to know him in the district under the name of the alms-giving beggar. The old chief lodger, a spiteful creature, full of envy and uncharitableness toward her neighbors, watched him closely, though he did not suspect it. She was rather deaf, which rendered her prone to gossip, and there remained to her from the past two teeth, one atop and one at bottom, which she constantly rattled against each other. She questioned Cosette, who, knowing nothing, could say nothing except that she came from Montfermeil. One day this spy saw Jean Valjean go into one of the uninhabited rooms in a way that seemed to her peculiar. She followed him with the stealthy step of an old cat, and was able to watch him, herself unseen, through the crack of the door, to which Jean Valjean turned his back, doubtless as a greater precaution. She saw him take out of his pocket a pair of scissors, needle, and thread, and then begin ripping up the lining of his coat, and pull out a piece of yellow paper, which he unfolded. The old woman recognized with horror that it was a thousand-franc note, the second or third she had seen in her life, and she fled in terror. A moment after Jean Valjean addressed her, and requested her to change the note for him, adding that it was his half-year's dividend, which he had received on the previous day. "When?" the old woman thought; "he did not go out till six in the evening, and the Bank is certainly not open at that hour." The old woman went to change the note and made her conjectures; the amount of money being considerably multiplied, afforded a grand topic of conversation for the gossips of the Rue des Vignes St. Marcel.
A few days after it happened that Jean Valjean, in his shirt-sleeves, was chopping wood in the passage, and the old woman was in his room cleaning up. She was alone, for Cosette was admiring the wood-chopping. She saw the coat hanging on a nail, and investigated it. The lining had been sewn up again, but the good woman felt it carefully, and fancied she could notice folds of paper between the cloth and the lining. More bank-notes, of course! She also noticed that there were all sorts of things in the pockets; not only the needles, scissors, and thread she had seen, but a large portfolio, a big clasp knife, and, most suspicious fact of all, several different colored wigs. Each pocket of this coat seemed to be a species of safeguard against unexpected events.