It is certain that errors were committed by Napoleon in the Russian war, by Alexander in the Indian war, by Cæsar in his African war, by Cyrus in the Scythian war, and by Javert in his campaign against Jean Valjean. He was probably wrong in hesitating to recognize the ex-galley slave, for a glance ought to have been sufficient for him. He was wrong in not apprehending him purely and simply at No. 50-52. He was wrong in not arresting him, upon recognition, in the Rue Pontoise. He was wrong to arrange with his colleagues in the bright moonlight, although certainly advice is useful, and it is as well to interrogate those dogs which deserve credence. But the hunter cannot take too many precautions when he is following restless animals, like the wolf and the convict; and Javert, by displaying too much anxiety in setting the blood-hounds on the track, alarmed his game and started it off. Above all, he was wrong, on finding the trail again of the Austerlitz bridge, in playing the dangerous and foolish trick of holding such a man by a string. He fancied himself stronger than he really was, and that he could play with the lion as if it were a mouse. At the same time he imagined himself too weak when he fancied that he must procure help; it was a fatal precaution, and the loss of precious time. Javert committed all these faults, but for all that was not the less one of the cleverest and most certain spies that ever existed. He was, in the full acceptation of the term, a dog that runs cunning; but where is the man who is perfect? Great strategists have their eclipses, and great follies are often made, like stout ropes, of a multitude of fibres. Take the cable thread by thread, catch hold of all the small determining motives separately, and you break them one after the other, and say to yourself, "It is only that;" but twist them together and you have an enormity. It is Attila hesitating between Marcianus in the East and Valentinianus in the West; it is Hannibal delaying at Capua; it is Danton falling asleep at Arcis-sur-Aube.
However this may be, even at the moment when Javert perceived that Jean Valjean had slipped from his clutches he did not lose his head. Certain that the convict could not be very far off, he established watches, organized mousetraps and ambuscades, and beat up the quarter the whole night through. The first thing he saw was the cut cord of the lantern. This was a valuable sign, which, however, led him astray so far that it made him turn all his attention to the Genrot blind alley. There are in this alley low walls, surrounding gardens which skirt open fields, and Jean Valjean had evidently fled in that direction. The truth is, that if he had gone a little farther down the blind alley he would in all probability have done so and been a lost man. Javert explored the gardens and fields as if looking for a needle, and at daybreak he left two intelligent men on duty, and returned to the Prefecture of Police, looking as hang-dog as a spy captured by a robber.
[BOOK VI]
[PETIT PICPUS.]
CHAPTER I
NO. 62, RUE PICPUS.
Half a century ago nothing more resembled any ordinary porte-cochère than that of No. 62, Petite Rue Picpus. This door, generally half open in the most inviting manner, allowed you to see two things which are not of a very mournful nature,—a court-yard with walls covered with vines, and the face of a lounging porter. Above the bottom wall tall trees could be seen, and when a sunbeam enlivened the yard, and a glass of wine had enlivened the porter, it was difficult to pass before No. 62 and not carry away a laughing idea. And yet, you had had a glimpse of a very gloomy place. The threshold smiled, but the house prayed and wept. If you succeeded, which was not easy, in passing the porter—as was, indeed, impossible for nearly all, for there was an "Open, Sesame," which it was necessary to know—you entered on the right a small hall from which ran a staircase enclosed between two walls, and so narrow that only one person could go up at a time: if you were not frightened by the canary-colored plaster and chocolate wainscot of this staircase, and still boldly ascended, you crossed two landings and found yourself in a passage on the first floor, where the yellow distemper and chocolate skirting-board followed you with a quiet pertinacity. The staircase and passage were lighted by two fine windows, but the latter soon made a bend and became dark. When you had doubled this cape, you found yourself before a door, which was the more mysterious because it was not closed. You pushed it open, and found yourself in a small room about six feet square, well scrubbed, clean, and frigid, and hung with a yellow-green sprigged paper, at fifteen sous the piece. A white pale light came through a large window with small panes, which was on the left, and occupied the whole width of the room; you looked about you, but saw nobody; you listened, but heard neither a footstep nor a human sound; the walls were bare, and the room unfurnished—there was not even a chair.
You looked again, and saw in the wall facing the door a square hole covered with a black knotty substantial cross-barred grating, which formed diamonds—I had almost written meshes—at least an inch and a half across. The little green sprigs on the yellow paper came right up to these bars, calmly and orderly, and the funereal contact did not make them start or wither. Even supposing that any human being had been so wondrously thin as to attempt to go in or out by the square hole, the bars would have prevented him: but though they did not let the body pass, the eyes, that is to say, the mind, could. It seemed as if this had been thought of, for it had been lined with a tin plate, in which were bored thousands of holes more microscopic than those of a strainer. Beneath this plate was an opening exactly like the mouth of a letter-box, and a bell-wire hung by the side of this hole. If you pulled this wire, a bell tinkled, and you heard a voice close to you which made you start.