On the day when their eyes met, and at length suddenly said to each other the first obscure and ineffable things which the eye stammers, Cosette did not understand it at first. She returned pensively to the house in the Rue de l'Ouest, where Jean Valjean was spending six weeks, according to his wont. When she awoke the next morning she thought of the young stranger, so long indifferent and cold, who now seemed to pay attention to her, and this attention did not appear at all agreeable to her; on the contrary, she felt a little angry with the handsome disdainful man. A warlike feeling was aroused, and she felt a very childish joy at the thought that she was at length about to be avenged; knowing herself to be lovely, she felt, though in an indistinct way, that she had a weapon. Women play with their beauty as lads do with their knife, and cut themselves with it. Our readers will remember Marius's hesitations, palpitations, and terrors; he remained on his bench, and did not approach, and this vexed Cosette. One day she said to Jean Valjean, "Father, suppose we take a walk in that direction?" Seeing that Marius did not come to her, she went to him, for in such cases, every woman resembles Mahomet. And then, strange it is, the first symptom of true love in a young man is timidity; in a girl it is boldness. This will surprise, and yet nothing is more simple; the two sexes have a tendency to approach, and each assumes the qualities of the other. On this day Cosette's glance drove Marius mad, while his glance made Cosette tremble. Marius went away confiding, and Cosette restless. Now they adored each other. The first thing that Cosette experienced was a confused and deep sorrow; it seemed to her that her soul had become black in one day, and she no longer recognized herself. The whiteness of the soul of maidens, which is composed of coldness and gayety, resembles snow; it melts before love, which is its sun.
Cosette knew not what love was, and she had never heard the word uttered in its earthly sense. In the books of profane music which entered the convent, tambour or pandour was substituted for amour. This produced enigmas, which exercised the imagination of the big girls, such as: "Ah! how agreeable the drummer is!" or, "Pity is not a pandour!" But Cosette left the convent at too early an age to trouble herself much about the "drummer," and hence did not know what name to give to that which now troubled her. But are we the less ill through being ignorant of the name of our disease? She loved with the more passion, because she loved in ignorance; she did not know whether it was good or bad, useful or dangerous, necessary or mortal, eternal or transient, permitted or prohibited,—she loved. She would have been greatly surprised had any one said to her, "You do not sleep? that is forbidden. You do not eat? that is very wrong. You have an oppression and beating of the heart? that cannot be tolerated. You blush and turn pale when a certain person dressed in black appears at the end of a certain green walk? why, that is abominable!" She would not have understood, and would have replied, "How can I be to blame in a matter in which I can do nothing, and of which I know nothing?"
It happened that the love which presented itself was the one most in harmony with the state of her soul; it was a sort of distant adoration, a dumb contemplation, the deification of an unknown man. It was the apparition of youth to youth, the dream of nights become a romance and remaining a dream, the wished-for phantom at length realized and incarnated, but as yet having no name, or wrong, or flaw, or claim, or defect; in a word, the distant lover who remained idealized, a chimera which assumed a shape. Any more palpable and nearer meeting would at this first stage have startled Cosette, who was still half plunged in the magnifying fog of the cloister. She had all the fears of children and all the fears of nuns blended together, and the essence of the convent, with which she had been impregnated for five years, was still slowly evaporating from her whole person, and making everything tremble around her. In this situation, it was not a lover she wanted, not even an admirer, but a vision, and she began adoring Marius as something charming, luminous, and impossible.
As extreme simplicity trenches on extreme coquetry, she smiled upon him most frankly. She daily awaited impatiently the hour for the walk; she saw Marius, she felt indescribably happy, and sincerely believed that she was expressing her entire thoughts when she said to Jean Valjean, "What a delicious garden the Luxembourg is!" Marius and Cosette existed for one another in the night: they did not speak, they did not bow, they did not know each other, but they met; and like the stars in the heavens, which are millions of leagues separate, they lived by looking at each other. It is thus that Cosette gradually became a woman, and was developed into a beautiful and loving woman, conscious of her beauty and ignorant of her love. She was a coquette into the bargain, through her innocence.
[CHAPTER VII.]
JEAN VALJEAN IS VERY SAD.
All situations have their instincts, and old and eternal mother Nature warned Jean Valjean darkly of the presence of Marius. Jean Valjean trembled in the depth of his mind; he saw nothing, knew nothing, and yet regarded with obstinate attention the darkness in which he was, as if he felt on one side something being built up, on the other something crumbling away. Marius, who was also warned by the same mother Nature, did all in his power to conceal himself from the father, but for all that, Jean Valjean sometimes perceived him. Marius's manner was no longer wise; he displayed clumsy prudence and awkward temerity. He no longer came quite close to them, as he had formerly done, he sat down at a distance, and remained in an ecstasy: he had a book, and pretended to read it; why did he pretend? Formerly he came in an old coat, and now he came every day in his new one. Jean Valjean was not quite sure whether he did not have his hair dressed; he had a strange way of rolling his eyes, and wore gloves,—in short, Jean Valjean cordially detested the young man. Cosette did not allow anything to be guessed. Without knowing exactly what was the matter with her, she had a feeling that it was something which must be hidden. There was a parallelism which annoyed Jean Valjean between the taste for dress which had come to Cosette, and the habit of wearing new clothes displayed by this stranger. It was an accident, perhaps,—of course it was,—but a menacing accident.
He never opened his mouth to Cosette about this stranger. One day, however, he could not refrain, and said, with that vague despair which suddenly thrusts the probe into its own misfortune, "That young man looks like a pedant." Cosette, a year previously, when still a careless little girl, would have answered, "Oh, no, he is very good-looking." Ten years later, with the love of Marius in her heart, she would have replied, "An insufferable pedant, you are quite right." At the present moment of her life and heart, she restricted herself to saying, with supreme calmness, "That young man!" as if she looked at him for the first time in her life. "How stupid I am," Jean Valjean thought, "she had not even noticed him, and now I have pointed him out to her." Oh, simplicity of old people! oh, depth of children! It is another law of these first years of suffering and care, of these sharp struggles of first love with first obstacles, that the maiden cannot be caught in any snare, while the young man falls into all. Jean Valjean had begun a secret war against Marius, which Marius, in the sublime stupidity of his passion and his age, did not guess. Jean Valjean laid all sorts of snares for him. He changed his hours, he changed his bench, he left his handkerchief, he went alone to the Luxembourg: and Marius went headlong into the trap, and to all these notes of interrogation which Jean Valjean planted in the road, ingenuously answered, "Yes." Cosette, however, remained immured in her apparent carelessness and imperturbable tranquillity, so that Jean Valjean arrived at this conclusion: "That humbug is madly in love with Cosette, but Cosette does not even know that he exists."
For all that, though, he had a painful tremor in his heart, for the minute when Cosette would love might arrive at any instant. Does not all this commence with indifference? Only once did Cosette commit an error and startle him; he arose from his bench to go home after three hours' sitting, and she said, "What, already?" Jean Valjean did not give up his walks at the Luxembourg, as he did not wish to do anything singular, or arouse Cosette's attention; but during the hours so sweet for the two lovers, while Cosette was sending her smile to the intoxicated Marius, who only perceived this, and now saw nothing more in the world than a radiant adored face, Jean Valjean fixed on Marius flashing and terrible eyes. He who had ended by no longer believing himself capable of a malevolent feeling, had moments when he felt, if Marius were present, as if he were growing savage and ferocious; and those old depths of his soul which had formerly contained so much anger opened again against this young man. It seemed to him as if unknown craters were again being formed within him. What! the fellow was there! What did he come to do? he came to sniff, examine, and attempt; he came to say, Well, why not? he came to prowl round his, Jean Valjean's, life, to prowl round his happiness, and carry it away from him. Jean Valjean added, "Yes, that is it! What does he come to seek? An adventure. What does he want? A love-affair. A love-affair? and I! What? I was first the most wretched of men, and then the most unhappy. I have spent sixty years on my knees, I have suffered all that a man can suffer, I have grown old without ever having been young. I have lived without family, parents, friends, children, or wife. I have left some of my blood on every stone, on every bramble, on every wall. I have been gentle, though men were harsh to me, and good though they were wicked. I have become an honest man again, in spite of everything; I have repented of the evil I did, and pardoned the evil done to me, and at the moment when I am rewarded, when all is finished, when I touched my object, when I have what I wish,—and it is but fair as I have paid for it and earned it,—all this is to fade away, and I am to lose Cosette, my love, my joy, my soul, because it has pleased a long-legged ass to saunter about the Luxembourg garden!"