A few changes were made in the rooms which served as ante-chambers to the Assembly. Puget’s admirable “Milo of Crotona,” which ornamented the vestibule at the top of the grand staircase, was taken to the old museum and a marble of some kind was substituted for it. The full length statue of the Duke d’Orleans, which was in the second vestibule, was taken I know not where and replaced by a statue of Pompey with gilt face, arms and legs, the statue at the foot of which, according to tradition, assassinated Caesar fell. The picture of founders of constitutions, in the third vestibule, a picture in which Napoleon, Louis XVIII. and Louis Philippe figured, was removed by order of Ledru-Rollin and replaced by a magnificent Gobelin tapestry borrowed from the Garde-Meuble.
Hard by this third vestibule is the old hall of the Chamber of Peers, which was built in 1805 for the Senate. This hall, which is small, narrow and obscure; supported by meagre Corinthian columns with mahogany-coloured bases and white capitals; furnished with flat desks and chairs in the Empire style with green velvet seats, the whole in mahogany; and paved with white marble relieved by lozenges of red Saint Anne marble,—this hall, so full of memories, had been religiously preserved, and after the new hall was built in 1840, had been used for the private conferences of the Court of Peers.
It was in this old hall of the Senate that Marshal Ney was tried. A bar had been put up to the left of the Chancellor who presided over the Chamber. The Marshal was behind this bar, with M. Berryer, senior, on his right, and M. Dupin, the elder, on his left. He stood upon one of the lozenges in the floor, in which, by a sinister hazard, the capricious tracing of the marble figured a death’s head. This lozenge has since been taken up and replaced by another.
After February, in view of the riots, soldiers had to be lodged in the palace. The old Senate-hall was turned into a guard-house. The desks of the senators of Napoleon and of the peers of the Restoration were stored in the lumber rooms, and the curule chairs served as beds for the troops.
Early in June, 1849, I visited the hall of the Chamber of Peers and found it just as I had left it seventeen months before, the last time that I sat there, on February 23, 1848.
Everything was in its place. Profound calmness reigned; the fauteuils were empty and in order. One might have thought that the Chamber had adjourned ten minutes previously.
SKETCHES MADE IN THE NATIONAL ASSEMBLY.
I. ODILON BARROT.
II. MONSIEUR THIERS.
III. DUFAURE.
IV. CHANGARNIER.
V. LAGRANGE.
VI. PRUDHON.
VII. BLANQUI.
VIII. LAMARTINE.
IX. BOULAY DE LA MEURTHE.
X. DUPIN.