[Significance of structural plan.]—The designation of the curious orifice of the sipapuh as “the place from which the people emerged” in connection with the peculiar arrangement of the kiva interior with its change of floor level, suggested to the author that these features might be regarded as typifying the four worlds of the genesis myth that has exercised such an influence on Tusayan customs; but no clear data on this subject were obtained by the writer, nor has Mr. Stephen, who is specially well equipped for such investigations, discovered that a definite conception exists concerning the significance of the structural plan of the kiva. Still, from many suggestive allusions made by the various kiva chiefs and others, he also has been led to infer that it typifies the four “houses,” or stages, described in their creation myths. The sipapuh, with its cavity beneath the floor, is certainly regarded as indicating the place of beginning, the lowest house under the earth, the abode of Myuingwa, the Creator; the main or lower floor represents the second stage; and the elevated section of the floor is made to denote the third stage, where animals were created. Mr. Stephen observed, at the New Year festivals, that animal fetiches were set in groups upon this platform. It is also to be noted that the ladder leading to the surface is invariably made of pine, and always rests upon the platform, never upon the lower floor, and in their traditional genesis it is stated that the people climbed up from the third house (stage) by a ladder of pine, and through such an opening as the kiva hatchway; only most of the stories indicate that the opening was round. The outer air is the fourth world, or that now occupied.

There are occasional references in the Tusayan traditions to circular kivas, but these are so confused with fantastic accounts of early mythic structures that their literal rendition would serve no useful purpose in the present discussion.

[Typical measurements.]—The following list is a record of a number of measurements of Tusayan kivas collected by Mr. Stephen. The wide difference between the end measurements of the same kiva are usually due to the interior offsets that have been noticed on the plans, but the differences in the lengths of the sides are due to irregularities of the site. The latter differences are not so marked as the former.

Width at ends.Length of sides.Height
at
center.
Height at ends.
13 6——24 0——8 6————
12 0——21 9——7 66 6——
14 614 624 623 38 06 66 6
12 212 1123 923 97 106 16 0
12 612 626 025 37 66 66 6
13 412 1026 826 77 107 07 0
15 013 626 624 117 46 36 2
12 611 523 721 98 07 07 0
12 513 522 824 17 36 16 9
10 613 627 027 08 36 36 2
13 611 629 929 011 05 11——
14 6——28 628 69 86 0——
13 214 028 929 98 67 06 4
15 114 028 6——9 67 36 6
13 012 628 729 6——7 46 3

[List of Tusayan kivas.]—The following list gives the present names of all the kivas in use at Tusayan. The mungkiva or chief kiva of the village is in each case designated:

HANO.
1.Toko´nabi kivaNavajo Mountain.
2.Hano sinte´ kivaPlace of the Hano.
Toko´nabi kiva is the mungkiva.
WALPI.
1.Djiva´to kivaGoat.
2.Al kivaA´la, Horn.
3.Naca´b kivaNa´cabi, half-way or central.
4.Picku´ibi kivaOpening oak bud.[5]
Wikwa´lobi kivaPlace of the watchers.
5.Mung kivaMungwi chief.
No. 5 is the mungkiva.
SICHUMOVI.
1.Bave´ntcomoWater mound.
2.KwinzaptcomoOak mound.
Bave´ntcomo is the mungkiva.
MASHONGNAVI.
1.Tcavwu´na kivaA small coiled-ware jar.
2.Hona´n kivaHonani, Badger, a gens.
3.Gy´arzohi kivaGy´arzo, Paroquet, a gens.
4.Kotcobi kivaHigh place.
5.Al kivaA´la, Horn.
Teavwu´na kiva is the mungkiva.
SHUPAULOVI.
1.A´tkabi kivaPlace below.
2.Kokyangobi kivaPlace of spider.
A´tkabi kiva is the mungkiva.
SHUMOPAVI.
1.Nuvwa´tikyuobi

High place of snow, San Francisco Mountain.

2.Al kivaA´la, Horn.
3.Gy´arzobiGy´arzo, Paroquet, a gens.
4.Tco´sobiBlue Jay, a gens.
Tco´sobi is the mungkiva.
ORAIBI.
1.Tdau kivaTda´uollauwuhThe singers.
2.Ha´wiobi kiva

Ha´wi, stair;
obi, high place.

High stair place.
3.Ish kivaIsa´uwuhCoyote, a gens.
4.Kwang kivaKwa´kwantiReligious order.
5.Ma´zrau kivaMa´mzrautiFemale order.
6.Na´cabi kivaHalf way orCentral place.
7.Sa´kwalen kivaSa´kwa le´na

Blue Flute, a religious order.

8.Po´ngobi kivaPongo, a circle

An order who decorate themselves with circular marks on thebody.

9.Hano´ kivaHa´nomuhA fashion of cutting the hair.
10.Motc kivaMo´mtciThe Warriors, an order.
11.Kwita´koli kiva

Kwita, ordure;
ko´li, a heap.

Ordure heap.
12.Katcin kivaKatcinaA gens.
13.Tcu kivaTcua, a snakeReligions order.
Tdau kiva is the mungkiva.
[ DETAILS OF TUSAYAN AND CIBOLA CONSTRUCTION.]
[ WALLS.]