Simply the circumstance that Narve is Nat's father proves that he must have occupied one of the most conspicuous positions in the Teutonic cosmogony. In all cosmogonies and theogonies night is one of the oldest beings, older than light, without which it cannot be conceived. Light is kindled in the darkness, thus foreboding an important epoch in the development of the world out of chaos. The being which is night's father must therefore be counted among the oldest in the cosmogony. The personified representatives of water and earth, like the day, are the children of his daughter.

What Gylfaginning tells of Narve is that he was of giant birth, and the first one who inhabited Jotunheim (Norvi eda Narfi hét jötun, er bygdi fyrst Jotunheima—Gylfag., 10). In regard to this we must remember that, in Gylfaginning and in the traditions of the Icelandic sagas, the lower world is embraced in the term Jotunheim, and this for mythical reasons, since Nifelheim is inhabited by rimthurses and giants (see No. 60), and since the regions of bliss are governed by Mimer and by the norns, who also are of giant descent. As the father of the lower-world dis, Nat, Narve himself belongs to that group of powers, with which the mythology peopled the lower world. The upper Jotunheim did not exist before in a later epoch of the cosmogonic development. It was created simultaneously with Midgard by Odin and his brothers (Gylfaginning).

In a strophe by Egil Skallagrimson (ch. 56), poetry, or the source of poetry, is called niderfi Narfa, "the inheritance left by Narve to his descendants." As is well known, Mimer's fountain is the source of poetry. The expression indicates that the first inhabitant of the lower world, Narve, also presided over the precious fountain of wisdom and inspiration, and that he died and left it to his descendants as an inheritance.

Finally, we learn that Narve was a near kinsman to Urd and her sisters. This appears from the following passages:

(a) Helge Hundingsbane (1, 3, ff.). When Helge was born norns came in the night to the abode of his parents, twisted the threads of his fate, stretched them from east to west, and fastened them beneath the hall of the moon. One of the threads nipt Nera cast to the north and bade it hold for ever. It is manifest that by Nere's (Narve's) kinswoman is meant one of the norns present.

(b) Sonatorr. (str. 24). The skald Egil Skallagrimson, weary of life, closes his poem by saying that he sees the dis of death standing on the ness (Digraness) near the grave-mound which conceals the dust of his father and of his sons, and is soon to receive him:

Tveggja bága
Njörva nipt
a nesi stendr.
Skal ek thó gladr
med gódan vilja
ok úhryggr
Heljar bida. 		The kinswoman of Njorve (the binder)
of Odin's (Tvegge's) foes
stands on the ness.
Then shall I be glad,
with a good will,
and without remorse,
wait for Hel.

It goes without saying that the skald means a dis of death, Urd or one of her messengers, with the words, "The kinswoman of Njorve (the binder) of Odin's foes," whom he with the eye of presentiment sees standing on the family grave-mound on Digraness. She is not to stop there, but she is to continue her way to his hall, to bring him to the grave-mound. He awaits her coming with gladness, and as the last line shows, she whose arrival he awaits is Hel, the goddess of death or fate. It has already been demonstrated that Hel in the heathen records is always identical with Urd.

Njorve is here used both as a proper and a common noun. "The kinswoman of the Njorve of Odin's foes" means "the kinswoman of the binder of Odin's foes." Odin's foe Fenrer was bound with an excellent chain smithied in the lower world (dwarfs in Svartalfheimr—Gylfag., 37), and as shall be shown later, there are more than one of Odin's foes who are bound with Narve's chains (see No. 87).

(c) Hofudlausn (str. 10). Egil Skallagrimson celebrates in song a victory won by Erik Blood-axe, and says of the battle-field that there trad nipt Nara náttverd ara ("Nare's kinswoman trampled upon the supper of the eagles," that is to say, upon the dead bodies of the fallen). The psychopomps of disease, of age, and of misfortunes have nothing to do on a battle-field. Thither come valkyries to fetch the elect. Nipt Nara must therefore be a valkyrie, whose horse tramples upon the heaps of dead bodies; and as Egil names only one shield-maid of that kind, he doubtless has had the most representative, the most important one in mind. That one is Skuld, Urd's sister, and thus a nipt Nara like Urd herself.