A very common usage during the Middle Ages was to measure the sick person, at one time to cure him, at another to find out if the disease was decreasing or increasing. Another means was to drag him through a hole. Sick children were pulled through holes dug in the earth or through a cleft cherry-tree. Sick sheep were forced to creep through the cleft of an oak, and so on. Another remedy against many kinds of sufferings was the binding of a thread or a band which had been read over, around the neck or some limb of the sick. Connected with this is the tying of witch-knots, used only with evil intent. Bands of different colors and material[59] were required for these. They were buried near the dwelling of the person to be injured. It was thought that by this means any limb or bodily power of an enemy could be impaired. A French jurist and witch-judge, Pierre Delancre, complains that in his days there were few married couples in France whose happiness had not been marred by this means; young men hardly dared to marry from fear of it. Hincmar, archbishop of Rheims, advised, as a remedy against this influence, a diligent use of the sacraments. In French rituals church-prayers against the effects of witch-knots are prescribed. Hardly less universally was it the custom to make dolls of rags, dough, wax or clay, baptize them with the name of the hated person, put them in the fire or pierce them with needles, and bury them under the threshold of that individual, all in order to inflict sufferings on him.[60] Diseases could also be transferred to dolls by reading certain formulæ, and placing them in some inaccessible place, or in running water.
Not only against diseases, but also against the dangers of fire and war, against ill-luck in love or chase, on voyages and the like, magical remedies were freely resorted to by the people. The “Witch-hammer” complains bitterly against the criminal practice of the soldiers in mutilating crucifixes in order to harden themselves against the sword and bullets. The executioner in Passau gained, during the Thirty Years’ War, a wide reputation for his skill in hardening the human frame, which he did by means of scraps of paper with cabalistic figures (Passauer Henkers-Zettel), which were eaten. The belief that hunters procured, by means of conjurations, “free-arrows” and “free-bullets” was very common. The “Witch-hammer” accuses various potentates of having in their pay “diabolical archers” who hit their mark from a long distance without aiming. It was customary at fires to throw into the flames so-called shields of David,—plates with two intersecting triangles and the motto “Agla” (the initials of four Hebrew words meaning: “Thou art strong eternally, O Lord!”) and “consummatum est.” As late as in the middle of the last century the magistrate of Leipzig ordered that such plates should be laid up in the rathhaus to be used in case of fires. In Catholic countries the clergy took the employment of magical appliances against fires into their own hands; processions singing and bearing relics went around the burning house three times, and if this had no salutary effect, it was a sure sign that God had allowed the devil to wield the consuming element unto destruction.
The extent of this treatise does not allow a detailed exposition of the many divinatory arts which had their adepts among the people. The Church preaching mightily against those arts and representing them as devices of the devil, the father of lies and founder of oracles, did not, however, deny, but could confirm by biblical quotation, their power to unveil futurity.
Every thing that we have here described was to the Church black magic: all mystical practices among the people, whether resorted to for good or evil purposes, to heal or cure, were looked upon as implying contempt for the divine magic of the Church itself, and also a league with the devil, if not a formal one, at any rate a “pactum implicitum.” It was therefore the possessors of the traditional popular art of healing who were first sent to the stake wherever the inquisition commenced its trials. But no terrorism could eradicate the popular magic so long as the persecutors themselves believed in its efficiency, and fought only for a consecrated superstition against its outlawed counterfeit. The struggle against the superstition of the Church as well as of the people, was reserved for another time and for another theory of the universe and of morals.
The so-called wandering scholastics (scholastici vagantes, scholares erratici) formed a kind of connecting link between the magic of the learned and that of the common people. They were ruined and adventurous students, priests and monks who wandered about in the rural districts of most of the European states, especially Germany, representing themselves as treasure-diggers, selling “spiritus familiares,” amulets, love-potions, and life-elixirs, conjuring spirits, divining by the stars, and healing men and cattle. These adventurers were associated in a regular guild, and had like other vagrant tradesmen, their lodgings and hospitals in the cities. They were dreaded competitors of the witch-fathers of the cloisters, were several times excommunicated by the Church, and seem to have nearly disappeared when the witch-trials commenced in earnest. It is to a person of that kind that the Faust-legend is attached. It reflects the popular opinions concerning the power of learned magicians.[61]
The same period which saw the bull of Innocentius promulgated, and the belief in devils culminate in the witch-processes, gave birth to the renaissance. This saviour came to the world in the hour of its intensest need. The Hellenic spirit, born again from the study of classic literature and classic art, was a new Messias putting his heel on the head of the old serpent and saving humanity from the power of death and of the devil. The people sitting in darkness illumined only by the lurid flames kindled by the inquisition saw a great light and stretched their hands towards the new dawn. The study of the ancients had an immense influence, all the more as the actual world was so different from the antique world. The exhumed monuments of Hellas revealed other state systems than the feudal of the Middle Ages,—states which were organizations, not mere mechanical conglomerates of conquerors and conquered, and were founded upon a nobler basis than given or assumed privileges. These monuments revealed an independent search for truth which had placed itself above tradition—a novel spectacle to the people of the Middle Ages! They revealed an art in which harmony reigned between spirit and nature, between the higher life and sensuousness, between the relative opposites which the Middle Ages had conceived as absolute, placing them against one another in a struggle which wrecked beauty and morality. They revealed large symmetrical characters as free from the asceticism of the Middle Ages as from the wild sensuality of that time. All these ideas, hailed with enthusiasm, could not but transform the appearance of the world. They overthrew the darkness of the Middle Ages, put the devil and hell to flight, and drove them into that lumber-corner of the spiritual kingdom where they are at present, but from which, at any political reaction, they peer out eagerly watching whether they may not once more bring the great wide world into their power. But they shall scarcely succeed in this, as long as freedom of thought and scientific independence are guarded as the foremost conditions of the spiritual health of mankind; and they shall utterly fail when an all-extended intelligence has taught the people that the premises of the devil-dogma, if they could be again inoculated into the popular mind, would show anew the same results which have been depicted above, and lead us back to the terrible times of the inquisition and the burning of witches. This, no doubt, even the orthodox defenders of belief in an impersonated evil principle do not desire; but they do not observe that history acts more consistently than they, and cures general errors only by making long generations draw from them the last consequences and suffer their full effect.
THE END.
INDEX.