The young factor cared no more for her than on that night in spring when he had kissed her and told her to “play in the sunshine and think no more of him.”
She had played for a man and failed.
Moreover, she had not played fairly, and for her wickedness he lay now as he had lain so long, drifting slowly but surely toward that land of shadows whence there is no return.
She clinched her small hands in the darkness and wept, and they were woman's tears.
Back to her led all the threads of tragedy, of death and danger and heartbreak, that had so hopelessly tangled themselves in Fort de Seviere.
But for that one hour at the factory steps what time she lay in McElroy's arms and saw Maren Le Moyne pause at the corner, all would be well.
Young Marc, Dupre would be singing his gay French songs with his red cap tilted on his curls, that handsome Nor'wester of the Saskatchewan would be going his merry way, loving here and there,—instead of bleaching their bones in some distant forest, as the whispers said; and, last of all, this man she loved with all the intensity of her soul would be brown and strong with life, not the weary wreck of a man who gazed into the fire and would not get well.
So the long nights took toll of the little Francette and a purpose grew in her chastened heart, a purpose far too big for it.
At last the purpose blossomed into full maturity, hastened by the dark shadows that were beginning to spread beneath McElroy's hopeless eyes, as if the spirit, so little in the body, were already leaving it to its earthly end, and one day at dusk, trembling and afraid, she went to the factory for the last time.
“Rette,” she said plaintively, “will you leave me alone with M'sieu the factor for an hour? Think what you will,” she added fiercely, as she saw the woman's look; “tell all the populace! I care not! Only give me one hour! Mon Dieu! A little space to pay the debt of life! Leave me, Rette, as you hope for Heaven!”