The vision was made known to Edward, and shortly afterwards he commanded that a tenth of his entire substance, gold, silver, cattle, and all other possessions, should be set aside for the purpose of pulling down the old church and raising a new one from the very foundation.
So from this time the story of the Abbey passes from misty legend into proven history, and it is with Edward, named afterwards "the Confessor," that the glory must rest of having called into being that great religious house, destined in the future to be most closely linked with all that concerned alike the crown and the country.
CHAPTER II
THE HALLOWING OF THE ABBEY
King Edward had no sooner resolved on the site for his new Abbey Church, than he commenced the task of building it, pressing on the work with zealous eagerness, making it indeed the object of his life. In his character he lacked all those qualities which go to the making of a great king. His prayers and his visions so absorbed him, that in heart and mind he lived in the company of saints and angels, and the duties of government were altogether irksome to him. By birth partly Norman, by education and tastes entirely so, he knew but little of the people over whom he was called to rule, and wherever it was possible he willingly handed over all duties of government to others. Fortunately for himself and for England, there were two men ever at his side, who served both him and his people loyally and well, these being Earl Godwine and his second son, Harold, Earl of the East Saxons. Both were related to him, for Godwine was the father and Harold the brother of Lady Eadgytha, the beautiful and accomplished wife of the king, and both showed themselves to be rulers wise, just, and merciful.
Of the two, Harold was the more beloved by king and country alike; indeed, one chronicler of that time boldly says that Edward's greatest claim to glory lies in the fact that he called Harold to the government of his realm. Tall of stature, beautiful in form and face, he excelled in all things, whether in the battle-field or at the council, and to his many gifts was added a noble and upright character, strong when the need for strength arose, but ever inclined to show mercy and compassion. This was the man on whose shoulders Edward virtually laid all the responsibilities of his realm, while he spent most of his time in his palace at Westminster, so that he might be on the spot to superintend the progress of the building, which went on apace, and to consult with Abbot Edwy as to the form it should take. It was on the church itself, rather than on the buildings of the monastery, that the king lavished his especial care. He meant it to be in the "new style," which he had learnt to love during his exile in Normandy, that land from which came forth those master-builders, many of them priests and scholars, whose handiwork is still to be found alike in Norman and in English minsters, beautiful as ever in its strength, its simplicity, and its dignity. Many were the Norman customs and ideas which Edward brought over with his Norman friends, and some of them were vigorously opposed by Harold, who was passionately English.
But as we go through the country and find one after another of those majestic buildings in grey stone, made so perfect as to defy the centuries, we must gratefully remember that it was King Edward who first of all set up this "new style" as a model in our midst.
One characteristic was, that every great church should be built in the form of a cross; in the centre the nave, at the east end the High Altar, and where the nave merged into the choir cross arms on the right and on the left, and so it was that Westminster was the first cruciform church in England.
This is a description of Edward's building, given to us in a French Life of the king, written very shortly after his death:—
"Now he laid the foundations of the church
With large square blocks of grey stone.
Its foundations are deep,
The front, towards the east he makes round,
The stones are very strong and hard.
In the centre rises a tower
And two at the western front,
And fine and large bells he hangs there.
The pillars and mouldings
Are rich without and within.
At the basis and the capitals
The work rises grand and royal.
Sculptured are the stones
And storied the windows.
All are made with the skill
Of good and loyal workmanship.
And when he finished the work,
He covers the church with lead.
He makes then a Cloister, and Chapter-House in front,
Towards the east, vaulted and round,
Where his ordained ministers
May hold their secret Chapter,
Prater and dorter,
And the officers round about."