"About an age ago," he writes, "it was the fashion in England for every one who would be thought religious to throw as much sanctity as possible into his face. The saint was of a sorrowful countenance, and generally was eaten up with melancholy. I do not presume to tax such characters with hypocrisy, as is done too frequently, that being a vice which, I think, none but He who knows the secrets of men's hearts should pretend to discover in another. But I think they would do well to consider whether such a behaviour does not deter men from religion.... In short, those who represent religion in so unamiable a light are like the spies sent out by Moses to make a discovery in the Land of Promise, when by their reports they discouraged the people from entering upon it. Those that show us the joys, the cheerfulness, the good-humour that naturally spring up in this happy state are like the spies bringing along with them clusters of grapes and delicious fruits that so invited their companions into the pleasant country which produced them."
Two of his articles have Westminster Abbey for their subject. On one occasion Addison, as the Spectator, goes there for a walk, and thus describes his feelings:—"I yesterday passed a whole afternoon in the Cloisters and the Church ... And I began to consider with myself what innumerable multitudes of people lay confused under the pavement of that ancient cathedral; how men and women, friends and enemies, priests and soldiers, monks and prebendaries were crumbled one against the other; how beauty, strength, and youth, with old age, weakness, and deformity, lay undistinguished in the same heap of matter.... Some of the monuments were covered with such extravagant epitaphs that, if it were possible for the dead person to be acquainted with them, he would blush at the praises which his friends bestowed on him. There were others so excessively modest that they deliver the character of the person departed in Greek or Hebrew so that they are not understood once in a twelvemonth. I found there were poets which had no monuments, and monuments which had no poets.... Sir Cloudesley Shovel's monument gave me great offence. Instead of the brave, rough English admiral, which was the distinguishing character of that plain gallant man, he is represented on his tomb by the figure of a beau, dressed in a long periwig, and reposing himself upon velvet cushions under a canopy of state. The Dutch, whom we are apt to despise for want of genius, show an infinitely greater taste.... The monuments of their admirals which have been erected at the public expense represent them like themselves, and are adorned with rostral crowns and naval ornaments, with beautiful festoons of seaweed, shells, and coral. When I look upon the tombs of the great, every emotion of envy dies in me; when I read the epitaphs of the beautiful, every inordinate desire goes out; when I meet with the grief of parents upon a tombstone, my heart melts with compassion; when I see the tombs of the parents themselves, I consider the vanity of grieving for those that we must quickly follow. When I see kings lying by those who deposed them, when I consider rival wits placed side by side, or the holy men that divided the world with their contests and disputes, I reflect with sorrow and astonishment on the little competitions, factions, and debates of mankind. When I read the several dates of the tombs, of some that died yesterday, and some six hundred years ago, I consider that great day when we shall all of us be contemporaries, and make our appearance together."
The next visit Spectator paid to the Abbey was in the company of Sir Roger de Coverley, his own creation, that gentleman of ancient descent, whose "singularities proceeded from his good sense, and were contradictions to the manners of the world only as he thought the world was in the wrong," and who was such a great lover of mankind, with such a mirthful cast in his behaviour, so cheerful, gay, and hearty, that "his tenants grew rich, his servants were satisfied, all young women professed love to him, and the young men were glad of his company." The squire was now spending one of his frequent visits to London, and informed the Spectator that having read his paper on Westminster Abbey, he should like to go there with him, never having visited the tombs since he read history.
"As we went up the body of the church, the knight pointed at the trophies on one of the new monuments, and cried out, 'A brave man! I warrant him!' Passing afterwards by Sir Cloudesley Shovel, he flung his head that way, and cried, 'Sir Cloudesley Shovel, a very gallant man!' As we stood before Busby's tomb the knight uttered himself again after the same manner. 'Doctor Busby, a great man! He whipped my grandfather; I should have gone to him myself, if I had not been a blockhead. A very great man!' Among several other figures he was very well pleased to see the statesman Cecil upon his knees.... Sir Roger, in the next place, laid his hand upon Edward III.'s sword, and leaning upon the pommel of it gave us the whole history of the Black Prince, concluding that, in Sir Richard Baker's opinion, Edward III. was one of the greatest princes that ever sat upon the English throne. We were then shown Edward the Confessor's tomb, upon which Sir Roger acquainted us that he was the first who touched for the evil, and afterwards Henry IV.'s, upon which he shook his head, and told us there was fine reading in the casualties of that reign. Our conductor then pointed to that monument where there is the figure of one of our English kings without a head, and upon giving us to know that the head, which was of beaten silver, had been stolen away years before, 'Some Whig, I warrant you!' says Sir Roger. 'You ought to lock your kings up better. They will carry off the body, too, if you don't take care!' The glorious names of Queen Elizabeth and Henry V. gave the knight great opportunities of shining. For my own part, I could not but be pleased to see the knight show such an honest passion for the glory of his country, and such a respectful gratitude to the memory of its princes."
Addison died when under fifty years of age, and the story goes that in his last moments he sent for young Lord Warwick, his stepson.
"Dear sir," said the lad, "any commands you may give me, I shall hold most sacred."
"See in what peace a Christian can die," answered the older man tenderly.
Years before, in his first letter as Spectator, he had written these honest words, "If I can in any way contribute to the improvement of the country in which I live, I shall leave it, when I am summoned out of it, with the secret satisfaction of thinking that I have not lived in vain." And the knowledge that he had been true to this pure ambition brought him a calm content in that hour when all the things of this life vanished into the dim background.
His funeral in the Abbey has been thus vividly described by Tickell, his friend:—
"Can I forget the dismal night that gave
My soul's best part for ever to the grave?
How silent did his old companions tread,
By midnight lamps, the mansions of the dead.
Through breathing statues, then unheeded things,
Through rows of warriors and through walks of kings!
What awe did the slow solemn march inspire,
The pealing organ and the pausing choir;
The duties by the lawn-robed prelate paid
And the last words that dust to dust conveyed!
While speechless o'er the closing grave we bend—
Accept those tears, thou dear departed friend!
Oh, gone for ever, take this last adieu,
And sleep in peace next thy loved Montagu."