Shines like a star in the darkest night”;
and in a moment he heard a voice inside the cell singing softly:
“Swayn, Swayn, nearer tread:
Love lives on when the stars are dead.”
He came a little closer and sang:
“Laurine, Laurine, throw your veil:
Dead men’s lips can tell no tale.”
Then the spangled veil was thrown through the window-bars, and he caught it as it fell.
Stealthily he went up to the sleeper and cut the heavy key from his belt with his knife; then, as the man stirred, he thrust the veil into his mouth to stop his cries, and, seizing him in his strong arms, flung him over the low parapet into the river swirling below. In another moment he had unlocked the door of the cell and was embracing Laurine, while she asked his forgiveness for all her unkindness and promised to marry him if they managed to get out of the city alive.
There was an old piece of tattered sacking lying in a corner of the prison, and she took off her rich dress and wrapped the horrible rag about her. They tucked away her long hair and tied a bandage over her face, so that she looked like some wretched beggar, and, when they had locked the door and pitched the key into the river, she set off down the silent streets, Swayn following a little way behind. They hid in a dark alley near the town gates, and waited till the hour should come to unlock them at dawn. The sentry on duty was not the same man who had closed them after Laurine on the preceding day, and he let the poor beggar go through with a jeer. As for Swayn, following at a little distance, he took no notice of him beyond bidding him a friendly good-morning. So the lovers were soon in the open country, pressing forward to the thicket where the Fiddling Goblin had promised to wait for his nephew’s return.