“Dad!” Peggy shouted, almost choking on a cooky. “Don’t tell me you’ve managed to get me accepted there! That’s the best dramatic school in the country! How—?”
“Don’t get too excited, Peg,” Mr. Lane interrupted. “You’re not accepted anywhere yet, but May Berriman told me that the Academy is the best place to study acting, and she said she would set up an audition for you in two days. The term starts in a couple of weeks, so there isn’t much time to lose.”
“Two days! Do you mean we’ll be going to New York day after tomorrow, just like that?”
“Oh, no,” her mother answered calmly. “We’re going to New York tomorrow on the first plane that we can get seats on. Your father doesn’t believe in wasting time, once his mind is made up.”
“Tomorrow?” Peggy repeated, almost unable to believe what she had heard. “What are we sitting here talking for, then? I’ve got a million things to do! I’ve got to get packed ... I’ve got to think of what to read for the audition! I can study on the plane, I guess, but ... oh! I’ll be terrible in a reading unless I can have more time! Oh, Mother, what parts will I do? Where’s the Shakespeare? Where’s—”
“Whoa!” Mr. Lane said, catching Peggy’s arm to prevent her from rushing out of the kitchen. “Not now, young lady! We’ll pack in the morning, talk about what you should read, and take an afternoon plane to New York. But tonight, you’d better think of nothing more than getting to bed. This is going to be a busy time for all of us.”
Reluctantly, Peggy agreed, recognizing the sense of what her father said. She finished her milk and cookies, kissed her parents good night and went upstairs to bed.
But it was one thing to go to bed and another to go to sleep.
Peggy lay on her back, staring at the ceiling and the patterns of light and shade cast by the street lamp outside as it shone through the leaves of the big maple tree. As she watched the shifting shadows, she reviewed the roles she had played since her first time in a high-school play. Which should she refresh herself on? Which ones would she do best? And which ones were most suited to her now? She recognized that she had grown and developed past some of the roles which had once seemed perfectly suited to her talent and her appearance. But both had changed. She was certainly not a mature actress yet, from any point of view, but neither was she a schoolgirl. Her trim figure was well formed; her face had lost the undefined, simple cuteness of the early teens, and had gained character. She didn’t think she should read a young romantic part like Juliet. Not that she couldn’t do it, but perhaps something sharper was called for.
Perhaps Viola in Twelfth Night? Or perhaps not Shakespeare at all. Maybe the people at the Academy would think she was too arty or too pretentious? Maybe she should do something dramatic and full of stormy emotion, like Blanche in A Streetcar Named Desire? Or, better for her development and age, a light, brittle, comedy role...?