In 1804 Richard Cutts married Anna Payne, the youngest sister of the famous Dolly Payne, who some years before had become the wife of James Madison. Still another sister had married George Steptoe Washington, the nephew of our first President. It was of her sister Anna's family that Mistress Dolly wrote her lines adapted from John Gilpin's ride:
"My sister Cutts and Cutts and I and Cutts's children three
Will fill the coach, so you must ride on horseback after we."
The home Cutts built for his bride, and where his children and grandchildren were born, was in those early days one of the pretentious houses of the capital. It overlooked Lafayette Square, and its beautiful garden, where Addie Cutts played as a little girl, skirted along H street to the end of the block. Cutts was a widower when his son James Madison married Miss Ellen O'Neale, of Maryland, and took her to "Montpelier" to spend their honeymoon days with his aunt and uncle, whose namesake he was. On their return to Washington his bride became the mistress of her father-in-law's home, where in the following year, 1835, Adèle Cutts was born.
In the guise of a little flower-girl she made her first formal appearance at the White House when she was but seven years old, at a children's fancy ball given there in 1842 during the administration of President Tyler.
She was for the most part educated at Madame Burr's school, in the city in which she was born. Her wonderful grace of manner, however, was not the result of education; it was the manifestation of a character beautiful by nature and developed amid happy surroundings. An only daughter, she was the close companion of her beautiful and brilliant mother, besides spending much of her time until her fifteenth year with her great-aunt Madison, whose genius had sown the first seeds of social life in the barren wastes of the national capital and drawn together the scattered elements of its subsequent levees and dinner-parties. After the death of Madison, finding herself unable to support the solitude of her life at "Montpelier," which had been theretofore most complete and happy, she returned to Washington and took up her home in the Cutts house, which now belonged to her and which bears her name to this day, though it has had many other distinguished occupants. Richard Cutts had mortgaged it to Madison, and dying before he had repaid him, the house passed into the possession of Mrs. Madison. There she held a court as brilliant as any ever presided over by an American woman, and Adèle Cutts was early familiarized with the greatness of a generation that was already passing away. Webster, Clay, Calhoun, as well as every President of the United States whose term of office fell during her residence in Washington, paid her the tribute of frequent visits, and felt honored by his privilege to do so.
Adèle Cutts
(Mrs. Robert Williams)
From portrait by George Peter A. Healy
At the time of her death her great-niece was fourteen years old, and already possessed a beauty of the purest Greek type, whose stateliness increased as she advanced towards womanhood. The faultless outline of her profile, the shapeliness of her head, her large, dark eyes, her chestnut hair that showed glints of a golden hue in the sunshine, the creamy tone of her skin, the perfect proportion and development of her tall figure, all combined to make the rare beauty of a personality whose charm was augmented twofold by her own unconsciousness of its rich possessions.