"Have you heard of the wonderful new magazine
Lady Randolph's to edit with help from the Queen?
It's a guinea a number—too little by half,
For the crowned heads of Europe are all on the staff,"
ran the opening lines of perhaps the cleverest of the many verses and paragraphs her new venture called forth.
Its contributions included papers from Lord Rosebery and Whitelaw Reid, a poem from Swinburne, with stories from Henry James, Gilbert Parker, and Sir Frank Sweetenham, and a drama from John Oliver Hobbes. Among the illustrations were a picture of the Queen, as frontispiece, and a reproduction of Gilbert Stewart's portrait of Washington. The binding was in keeping with the contents, and was of dark-blue morocco, richly tooled in gold, with the royal coat of arms in the centre, surmounted by the crown of England, with supporters, a reproduction of a cover designed in the seventeenth century by the court binder, Abraham Bateman. It sold, as have the subsequent editions, for a guinea a number, and was, as the enterprising editress said in her preface, a volume "worthy to be taken up into that Valhalla of printed things, the library."
At the outbreak of the war in the Transvaal in 1899 Lady Randolph Churchill gave another evidence of her public spirit and enterprise which identified her once again with her native country. As chairman of the committee of the American hospital ship "Maine," she took an active part in the direction and equipment of one of the finest ambulance ships in the service. The ship itself was loaned by the Atlantic Transport Company, and named in memory of the ill-fated American battle-ship "Maine." The contributions for its equipment were made by Americans on both sides of the ocean. Among the American women living in England who actively interested themselves in the matter were Mrs. Joseph Chamberlain, Mrs. Arthur Paget, Mrs. Bradley-Martin, and both of Lady Randolph Churchill's sisters.
An appeal, issued on the 27th of October, for thirty thousand pounds met with a speedy response, and in the course of a few weeks the American hospital ship "Maine," flying the flag that was a gift from the Queen, and with accommodations for two hundred sick or wounded soldiers, carrying its corps of surgeons and nurses and Lady Randolph Churchill herself, was on its way to Durban.
Though it was as the wife of Lord Randolph Churchill and through her close identification with his interests that Lady Churchill first came prominently before the world, it is undoubtedly her own personality that has made for her the place she holds there to-day.
On the 28th of July, 1900, Lady Randolph Churchill became the wife of Mr. George Cornwallis West. Though marriages of women to men many years their junior are by no means rare in British society, the rumor of this engagement, which had been afloat for quite a year, excited an unusual amount of comment and criticism. The ceremony was performed at St. Paul's Church, Knightsbridge, the Duke of Marlborough leading Lady Churchill to the altar. Though widows of titled men in England may upon entering into a second marriage retain the name and title acquired through their former marriage, Lady Randolph Churchill settled the much-discussed question as to whether she would retain hers by her decision to be known as Mrs. George Cornwallis West.
Not yet in middle life, and with two sons to be launched upon their careers, in which she has already foreshadowed what her part may be, the world may still expect to hear much of her, for there is a bracing and vigorous quality in her individuality that renders her interesting and inspiring to many classes and many countries. She has been frequently reproduced in the fiction of her era, more than one English writer drawing his material continually from her life and character.
To what extent her beauty forms part of her magnetism is with many people a debatable question. Though Long painted her as a typical beauty, and Sargent's canvas of her that hangs in her own library portrays an exquisite feminine loveliness, she leans perhaps too much towards the masculine in mental poise and temperament to be an adequate reflection of purely feminine beauty. A many-sided, strong, self-sustained character, her outward form is an expression of her own uncommon personality rather than a type of conventional beauty.