“Let me see,” Katharine said, “one puts hot water into the cups first, doesn’t one? You have some dodge of your own, haven’t you, William, about making tea?”
Mary was half inclined to suspect that this was said in order to conceal nervousness, but if so, the concealment was unusually perfect. Talk of marriage was dismissed. Katharine might have been seated in her own drawing-room, controlling a situation which presented no sort of difficulty to her trained mind. Rather to her surprise, Mary found herself making conversation with William about old Italian pictures, while Katharine poured out tea, cut cake, kept William’s plate supplied, without joining more than was necessary in the conversation. She seemed to have taken possession of Mary’s room, and to handle the cups as if they belonged to her. But it was done so naturally that it bred no resentment in Mary; on the contrary, she found herself putting her hand on Katharine’s knee, affectionately, for an instant. Was there something maternal in this assumption of control? And thinking of Katharine as one who would soon be married, these maternal airs filled Mary’s mind with a new tenderness, and even with awe. Katharine seemed very much older and more experienced than she was.
Meanwhile Rodney talked. If his appearance was superficially against him, it had the advantage of making his solid merits something of a surprise. He had kept notebooks; he knew a great deal about pictures. He could compare different examples in different galleries, and his authoritative answers to intelligent questions gained not a little, Mary felt, from the smart taps which he dealt, as he delivered them, upon the lumps of coal. She was impressed.
“Your tea, William,” said Katharine gently.
He paused, gulped it down, obediently, and continued.
And then it struck Mary that Katharine, in the shade of her broad-brimmed hat, and in the midst of the smoke, and in the obscurity of her character, was, perhaps, smiling to herself, not altogether in the maternal spirit. What she said was very simple, but her words, even “Your tea, William,” were set down as gently and cautiously and exactly as the feet of a Persian cat stepping among China ornaments. For the second time that day Mary felt herself baffled by something inscrutable in the character of a person to whom she felt herself much attracted. She thought that if she were engaged to Katharine, she, too, would find herself very soon using those fretful questions with which William evidently teased his bride. And yet Katharine’s voice was humble.
“I wonder how you find the time to know all about pictures as well as books?” she asked.
“How do I find the time?” William answered, delighted, Mary guessed, at this little compliment. “Why, I always travel with a notebook. And I ask my way to the picture gallery the very first thing in the morning. And then I meet men, and talk to them. There’s a man in my office who knows all about the Flemish school. I was telling Miss Datchet about the Flemish school. I picked up a lot of it from him—it’s a way men have—Gibbons, his name is. You must meet him. We’ll ask him to lunch. And this not caring about art,” he explained, turning to Mary, “it’s one of Katharine’s poses, Miss Datchet. Did you know she posed? She pretends that she’s never read Shakespeare. And why should she read Shakespeare, since she IS Shakespeare—Rosalind, you know,” and he gave his queer little chuckle. Somehow this compliment appeared very old-fashioned and almost in bad taste. Mary actually felt herself blush, as if he had said “the sex” or “the ladies.” Constrained, perhaps, by nervousness, Rodney continued in the same vein.
“She knows enough—enough for all decent purposes. What do you women want with learning, when you have so much else—everything, I should say—everything. Leave us something, eh, Katharine?”
“Leave you something?” said Katharine, apparently waking from a brown study. “I was thinking we must be going—”