which we have consciously felt in our own personal experience, or to have revealed to us things within ourselves of which we were unconscious until we found them expressed in poetry, we have indeed got a great possession. The love for such poetry which comes to us when we are young will not disappear as we get older; it will remain in us, becoming an intimate part of our own being, and will be an assured source of strength, consolation, and delight.
There is another branch of literature to which I must make a passing reference: it is that of philosophy. I am bound to refer to it here because I know two men, both of them distinguished in public life, who find real recreation and spend leisure time when they have it in reading and writing philosophy. They are both living and I have not their permission to mention their names, but as I admire them I mention their recreation, though with an admiration entirely
untinged by envy. An Oxford professor is alleged to have said that every one should know enough philosophy to find that he can do without it. I do not go quite so far as that. When I was an undergraduate at Oxford I read Plato because I was made to read it. After I left Oxford I read Plato again to see if I liked it. I did like it so much that I have never found the same pleasure in other philosophical writers. I hope you will not think that I am talking flippantly. I am talking very seriously—about recreation, and I feel bound to mention philosophy in connection with it out of respect to my friends, but I do not lay much stress upon it as a means of recreation.
I come now to the main source of literary recreation in reading: the great books of all time on which one generation after another has set the seal of excellence so that we know them certainly to be worth reading. There is a wide and varied choice, and
it is amongst the old books that the surest and most lasting recreation is to be found. Some one has said, "Whenever a new book comes out read an old one." We need not take that too literally, but we should give the old and proved books the preference. Some one, I think it was Isaac Disraeli, said that he who did not make himself acquainted with the best thoughts of the greatest writers would one day be mortified to observe that his best thoughts are their indifferent ones, and it is from the great books that have stood the test of time that we shall get, not only the most lasting pleasure, but a standard by which to measure our own thoughts, the thoughts of others, and the excellence of the literature of our own day. Some years ago, when I was Secretary for Foreign Affairs in England, when holidays were often long in coming, short and precious when they did come, when work was hard and exhaust
ing and disagreeable, I found it a good plan when I got home to my library in the country to have three books on hand for recreation. One of them used to be one of those great books of all time dealing with great events or great thoughts of past generations. I mention Gibbon's "Decline and Fall of the Roman Empire" as an instance of one such book, which had an atmosphere of greatness into which one passed right out of the worries of party politics and official work. Such books take one away to another world where one finds not only pleasure, but rest. "I like large still books," Tennyson is reported to have said. And great books not only give pleasure and rest, but better perspective of the events of our own time. I must warn you that Gibbon has been called dull. It is alleged that Sheridan, a man of brilliant wit, said so, and when a friend reminded him that in a famous speech he
had paid Gibbon the compliment of speaking of the "luminous page of Gibbon," Sheridan said he must have meant to say "voluminous." If you take the same view of Gibbon, find some other great author whom you do not find dull. There is a host of great writers to choose from. There are plenty of signposts to direct us to old books of interest and value. They have well-known names, and so they stand out and are known like great peaks in mountain ranges of the human intellect.
The second of my books would also be an old book, a novel which had been approved by successive generations. The third would be some modern book, whether serious or light, and in modern books the choice is not so easy. There are many that are excellent, but there are many in which we may find neither pleasure nor profit. If our leisure is short we have not much time to experiment. The less spare time we have,
the more precious it is, and we do not want to waste any of it in experimenting with modern books which we do not find profitable. It is worth while to cultivate a few friends whose intelligence we can respect and whose taste is sympathetic and who read, and to get from them from time to time the names of modern books which they have read and found good. I have had too little time for reading, but that my advice may not be entirely academic I will recommend you, at any rate, one good modern novel. Its name is "The Bent Twig," the authoress is Dorothy Canfield, and I can tell you nothing except that she is an American, but the book seems to me one of the best pieces of work in novel writing that has happened to come under my own observation recently. There are others, no doubt, in plenty, and if you get half a dozen friends who are fond of reading each to recommend you one book as I have done,