Indra is, in fact, the Zeus of Indian mythology; the thunderer, the god of the sky, the all-powerful protector of men and destroyer of the demons of darkness. His functions are easily understood, but it is curious that the Soma, which is offered to him in sacrifice, and which he drinks with all the avidity of a confirmed toper, is itself celebrated as a god of very considerable powers. Soma appears to be regarded as a sort of mediator between the greatest gods and men, especially between man and Indra. He is repeatedly entreated to go to Indra, to flow around him, and thus to conciliate and delight him. But Soma can confer benefits independently. One poet implores him to stream forth blessing "on the ox, the man, and the horse; and, O king, blessings on plants" (S. V., ii. 1. 1. 1). In the hymns devoted to him he is raised to an exalted station among the celestial beings, while the sacrifice in which he is drunk by the priests is the capital right in the Brahmanical liturgy (A. B., vol. i. p. 59). The most eminent virtues are inherent in this divine beverage, when taken with all the ceremonies prescribed by traditional law. The Soma juice has, in the opinion of Hindu theologians, "the power of uniting the sacrificer on this earth with the celestial King Soma," and making him "an associate of the gods, and an inhabitant of the celestial world" (Ibid., vol. i. pp. 40, 80). Such was the excellence of this juice, that none but Brahmans were permitted to imbibe it. Kings, at their inaugural ceremonies, received a goblet which was nominally Soma, but on account of their inferior caste they were in fact put off with some kind of spirituous liquor which was supposed, by a mystical transformation, to receive the properties of that most holy divinity (Ibid., vol. ii. p. 522). Agreeably to this theory of Soma's extensive powers, he is invoked in such terms, for instance, as these:—
7. "Place me, O purified god, in that everlasting and imperishable world where there is eternal light and glory. O Indu (Soma), flow for Indra. 8. Make me immortal in the world where king Vaivasvata (Yama, the son of Vivasvat) lives, where is the innermost sphere of the sky, where those great waters flow" (O. S. T., vol. v. p. 266.—Rig-Veda, ix. 113).
Singular as it may seem that the juice of the Soma-plant should be at once an object sacrificed on the altar to other gods and a god himself, such a confusion of attributes will be less surprising to those who are familiar with the Christian theory of the Atonement, in which the same God is at once the person who decrees the sacrifice, the person who accepts it, and the victim. At least the double function of Soma is less perplexing than the triple function of Christ.
Considerable among Vedic deities are the Maruts, or gods of tempest. They are in intimate alliance with Indra, to whom their violent nature is closely akin. Their attributes are simple. A notion of them may perhaps be gained from these verses:—
1. "What then now? When will you take (us) as a dear father takes his son by both hands, O ye gods, for whom the sacred grass has been trimmed? 2. Whither now? On what errand of yours are you going, in heaven, not on earth? Where are your cows sporting? 3. Where are your newest favors, O Maruts? Where the blessings? Where all delights?... 6. Let not one sin after another, difficult to be conquered, overcome us; may it depart together with lust. 7. Truly they are furious and powerful; even to the desert the Rudriyas bring rain that is never dried up. 8. The lightning lows like a cow, it follows as a mother follows after her young, that the shower (of the Maruts) may be let loose. 9. Even by day the Maruts create darkness with the water-bearing cloud, when they drench the earth. 10. From the shout of the Maruts over the whole space of the earth, men reeled forward. 11. Maruts on your strong-hoofed steeds go on easy roads after those bright ones (the clouds) which are still locked up. 12. May your felloes be strong, the chariots, and their horses; may your reins be well fashioned. 13. Speak out forever with thy voice to praise the Lord of prayer, Agni, who is like a friend, the bright one. 14. Fashion a hymn in thy mouth! Expand like a cloud! Sing a song of praise. 15. Worship the host of the Maruts, the brisk, the praiseworthy, the singers. May the strong ones stay here among us" (R. V. S., vol. i. p. 65.—Rig-Veda, i. 38).
The most charming member of the Vedic pantheon, and the one who seems to have called forth from the Rishis the deepest poetical feeling, is Ushas (Ἔως), the Dawn. Her continual reappearance, or birth, morning after morning, seems to have filled them with delight and tenderness. The hymn now to be quoted—too long to be extracted in full—gives expression to the feelings with which they gazed upon this ever-recurring mystery:—
2. "The fair and bright Ushas, with her bright child (the Sun), has arrived; to her the dark (night) has relinquished her abodes; kindred to one another, immortal, alternating Day and Night go on changing color. 3. The same is the never-ending path of the two sisters, which they travel, commanded by the gods. They strive not, they rest not, the prolific Night and Dawn, concordant, though unlike. 4. The shining Ushas, leader of joyful voices (or hymns) has been perceived; she has opened for us the doors (of the sky); setting in motion all moving things, she has revealed to us riches. Ushas has awakened all creatures.... 6. (Arousing) one to seek royal power, another to follow after fame, another for grand efforts, another to pursue as it were his particular object,—Ushas awakes all creatures to consider their different modes of life. 7. She, the daughter of the sky, has been beheld breaking forth, youthful clad in shining attire: mistress of all earthly treasures. Auspicious Ushas, shine here to-day. 8. Ushas follows the track of the Dawns that are past, and is the first of the unnumbered Dawns that are to come, breaking forth, arousing life and awaking every one that was dead.... 10. How great is the interval that lies between the Dawns which have arisen, and those which are yet to arise! Ushas yearns longingly after the former Dawns, and gladly goes on shining with the others (that are to come). 11. Those mortals are gone who saw the earliest Ushas dawning; we shall gaze upon her now; and the men are coming who are to behold her on future morns.... 13. Perpetually in former days did the divine Ushas dawn; and now to-day the magnificent goddess beams upon this world: undecaying, immortal, she marches on by her own will" (O. S. T., vol. v. p. 188.—Rig-Veda, i. 113).
Hardly a trace of a moral element is to be found in those productions of the Rishis which have hitherto been quoted. And such as these are is the general character of the Rig-Veda-Sanhitâ. It consists in petitions for purely material advantages, coupled with unbounded celebrations of the power of the god invoked, often under the coarsest anthropomorphic images. But while it must be admitted that the sentiment expressed is rarely of a high order, it must not be supposed that the old Hindu gods are altogether destitute of ethical attributes. Marked exceptions to the general tenor of the supplications offered to them certainly occur. There are passages which betray a decided consciousness of sin, a desire to be forgiven and a conviction that certain kinds of conduct entail divine disapprobation, while other kinds bring divine approbation. Thus, in the hymns addressed to the Adityas, a class of gods generally reckoned as twelve in number, and to Mitra and Varuna, two of these Adityas, such feelings are plainly expressed (O. S. T., vol. v. p. 56 ff). Of these two, Mitra is sometimes explained as the Sun, or the god of Day, Varuna as the god of Night. Varuna—whose name corresponds to that of Ouranos—is a very great and powerful divinity, who is endowed by his adorers with the very highest attributes. He is said to have meted out heaven and earth, and to dwell in all worlds as their sovereign, embracing them within him (Ibid., vol. v. p. 61). He is said to witness sin, and is entreated to have mercy on sinners. One penitent poet implores Varuna to tell him for what offense he seeks to kill his worshiper and friend, for all the sages tell him that it is Varuna who is angry with him. And he pleadingly contends that he was not an intentional culprit; he has been seduced by "wine, anger, dice, or thoughtlessness." Another begs the god that, in whatever way mortals may have broken his laws, he will be gracious. A third admits that he, who was Varuna's friend, has offended against him, but asks that they who are guilty may not reap the fruits of their sin; concluding with this amicable hint: "Do thou, a wise god, grant protection to him who praises thee" (O. S. T., vol. v. pp. 66, 67). "The attributes and functions ascribed to Varuna," observes Dr. Muir, "impart to his character a moral elevation and sanctity far surpassing that attributed to any other Vedic deity" (Ibid., vol. v. p. 66). And while even in the earlier portion of the Rig-Veda—from which the above expressions have been collected by Dr. Muir—such qualities are ascribed to Varuna, we shall find a still higher conception of his character in a later work, the Atharva-Veda. Here is the description of the Lord of Heaven from the mouth of the Indian Psalmist:—
1. "The great lord of these worlds sees as if he were near. If a man thinks he is walking by stealth, the gods know it all. 2. If a man stands or walks or hides, if he goes to lie down or to get up, what two people sitting together whisper, King Varuna knows it, he is there as the third. 3. This earth, too, belongs to Varuna, the king, and this wide sky with its ends far apart. The two seas (the sky and the ocean) are Varuna's loins; he is also contained in this small drop of water. 4. He who should flee far beyond the sky, even he would not be rid of Varuna, the king. His spies proceed from heaven towards this world; with thousand eyes they overlook this earth. 5. King Varuna sees all this that is between heaven and earth, and what is beyond. He has counted the twinklings of the eyes of men. As a player throws the dice he settles all things. 6. May all thy fatal nooses, which stand spread out seven by seven and threefold, catch the man who tells a lie; may they pass by him who tells the truth" (A. S. L.—Atharva-Veda, iv. 16).
A consciousness of the unity of Deity, under whatever form he may be worshiped, adumbrated here and there in earlier hymns, becomes very prominent in the later portions of the Veda. From the most ancient times, possibly, occasional sages may have attained the conception so familiar to the Hindu thinkers of a later age, that a single mysterious essence of divinity pervaded the universe. And in the tenth book of the Rig-Veda, which is generally admitted to belong to a more recent age than the other nine books, as also in the Atharva-Veda, this essence is celebrated under various names; as Purusha, as Brahma, as Prajapati (Lord), or Skambha (Support). The hymns in which this consciousness appears are extremely mystical, but a notice of the Veda, however slight, would be very imperfect without a due recognition of their presence. They form the speculative element partly in the midst of, partly succeeding to, the simple, practical, naked presentation of the commonplace daily wants and physical desires of the early Rishis. Take the following texts from the first book of the Rig-Veda. They give utterance to an incipient sentiment of divine unity. The first celebrates a goddess Aditi: "Aditi is the sky, Aditi is the air, Aditi is the mother and father and son. Aditi is all the gods and the five classes of men. Aditi is whatever has been born. Aditi is whatever shall be born" (O. S. T., vol. v. p. 354.—Rig-Veda, i. 89. 10). More remarkable than this—for we may suspect here a sectarian desire to glorify a favorite goddess—is this assertion: "They call him Indra, Mitra, Varuna, Agni; and he is the celestial (well-winged) Garutmat. Sages name variously that which is but one: they call it Agni, Yama, Mâtarisvan" (O. S. T., vol. v. p. 353.—Rig-Veda, i. 164. 46). In the tenth book of the Rig-Veda, the presence of the speculative element in the theology of the Rishis,—their longing to find a universal Being whom they could adore,—is much more marked. Thus do they express this sentiment:—"Wise poets make the beautiful-winged, though he is one, manifold by words" (Chips, vol. i. p. 29.—Rig-Veda, x. 114. 5). Or more elaborately thus:—