"In the beginning," they say, "God created the heavens and the earth. And the earth was desolate and waste, and darkness on the face of the abyss, and the Spirit of God hovering on the face of the waters. And God said: Let there be light, and there was light. And God saw the light that it was good, and God divided between the light and the darkness. And God called the light Day, and the darkness he called Night. And it was Evening, and it was Morning: one day.
"And God said: Let there be a vault for separation of the waters, and let it divide between waters and waters." Hereupon he made the vault, and separated the waters above it from those below it. The vault he called Heavens. This was his second day's work. On the third, he separated the dry land from the sea, "and saw that it was good;" besides which he caused the earth to bring forth herbs and fruit-trees. "And God said: Let there be lights in the vault of the heavens to divide between the day and between the night, and let them be for signs and for times and for days and for years." Hereupon he made the sun for the day, the moon for the night, and the stars. "And God put them on the vault of the heavens to give light to the earth, and to rule by day and by night, and to separate between the light and the darkness; and God saw that it was good. And it was evening, and it was morning; the fourth day" (Gen. i. 1-19).
Let us pause a moment here before passing on to the next branch of the subject: the creation of animals and man. The author had two questions before him; how the materials of the universe came into being, and how, when in being, they assumed their present forms and relative positions. Of the first he says nothing, unless the first verse be taken to refer to it. But this can scarcely be; for the expression, "God made the heavens and the earth," cannot easily be supposed to refer to the original production of the matter out of which the heavens and the earth were subsequently made. Rather must we take it as a short heading, referring to the creation which is about to be described. And in any case, the manner in which there came to be anything at all out of which heavens and earth could be constructed is not considered. We are left apparently to suppose that matter is coeval with the Deity; for the author never faces the question of its origin, which is the real difficulty in all such cosmogonies as his, but hastens at once to the easier task of describing the separation and classification of materials already in existence.
Somewhat similar to the Hebrew legend, both in what it records and in what it omits, is the story of creation as told by the Quichés in America:—
"This is the first word and the first speech. There were neither men nor brutes, neither birds, fish, nor crabs, stick nor stone, valley nor mountain, stubble nor forest, nothing but the sky; the face of the land was hidden. There was naught but the silent sea and the sky. There was nothing joined, nor any sound, nor thing that stirred; neither any to do evil, nor to rumble in the heavens, nor a walker on foot; only the silent waters, only the pacified ocean, only it in its calm. Nothing was but stillness, and rest, and darkness, and the night; nothing but the Maker and Moulder, the Hurler, the Bird-Serpent" (M. N. W., p. 196.—Popol Vuh, p. 7).
Another cosmogony is derived from the Mixtecs, also aborigines of America:—
"In the year and in the day of clouds, before ever were either years or days, the world lay in darkness; all things were orderless, and a water covered the slime and the ooze that the earth then was" (M. N. W., p. 196).
Two winds are in this myth the agents employed to effect the subsidence of the waters, and the appearance of dry land. In another account, related by some other tribes, the muskrat is the instrument which divides the land from the waters. These myths, as Mr. Brinton, who has collected them, truly remarks, are "not of a construction, but a reconstruction only, and are in that respect altogether similar to the creative myth of the first chapter of Genesis."
In the Buddhistic history of the East Mongols, the creation of the world is made, as in Genesis, the starting point of the relation. But the creative forces in this mythology are apparently supposed to be inherent in primeval matter. Hence we have a Lucretian account of the movements of the several parts of the component mass without any consideration of the question how the impulse to these movements was originally given. "In the beginning there arose the external reservoir from three different masses of matter; namely, from the creative air, from the waving water, and from the firm, plastic earth. A strong wind from ten-quarters now brought about the blue atmosphere. A large cloud, pouring down continuous rain, formed the sea. Dry land arose by means of grains of dust collecting on the surface of the ocean, like cream on milk."[91]
Although the sacred writings of the Parsees contain no connected account of the creation, yet this void is fully supplied by traditions which have acquired a religious sanction, and have entered into the popular belief. Those traditions are found in the Bundehesh and the Shahnahmeh, works of high authority in the Parsee system. According to them, Ahura-Mazda, the good principle, induced his rival, Agra-Mainyus, the evil principle, to enter into a truce of nine thousand years, foreseeing that by means of this interval he would be able to subdue him in the end. Agra-Mainyus, having discovered his blunder, went to the darkest hell, and remained there three thousand years. Ahura-Mazda took advantage of this repose to create the material world. He produced the sky in forty-five days, the water in sixty, the earth in seventy-five, the trees in thirty, the cattle in eighty, and human beings in seventy-five; three hundred and sixty-five days were thus occupied with the business of creation. It will be observed that, though the time taken is longer, the order of production is the same in the Parsee as in the Hebrew legend. This fact tends to confirm the supposition, which will hereafter appear still more probable, of an intimate relation between the two.