FOOTNOTES:

[130] Periplus of the Erythrean Sea.

[131] It is described by Yates as having the appearance of a flat ribbon, with the edges thickened like a hem.

[132] This rough bark is probably the reason that it absorbs colour into its substance (perhaps under the scales); and it may also account for its being capable of felting.

[133] It may be laid down as a fundamental rule in technical style, that the product shall preserve the peculiar characteristics of the raw material. Unfortunately, the artist is often ignorant of the qualities of the fabric for which he is designing, and the workman who has to carry it out is a mechanic, in these days, instead of a craftsman.

[134] Molochinus, or malva silvestris (wild hemp), Yates, pp. 292-317, is sometimes spoken of as a mallow, sometimes as a nettle. In the Vocabulary of Papias (A.D. 1050) it is said that the cloth called molocina is made from thread of mallow, and used for dress in Egypt. Garments of molochinus were brought from India, according to the Periplus (see Pliny, 146, 166, 170, 171). It was seldom used by the ancients, but both Greeks and Romans made it serve for mats and ropes. The Thracians wove of it garments and sheets. It is not named in the Scriptures.

[135] See Gibbs’ “British Honduras.”

[136] Spartum was a rush. Pliny says it was used for the rigging of ships.

[137] The bark of trees such as the Hybiscus Tiliaceus, and that of the Birch (see Yates, p. 305-6). Birch bark was embroidered, till latterly, by the Indian women in North America with porcupines’ quills. Pigafetta says (writing in the sixteenth century) that in the kingdom of Congo many different kinds of stuff were manufactured from the palm-tree fibre. He instances cloths on which patterns were wrought, and likewise a material resembling “velvet on both sides.”

[138] “Camoca” or caman in the Middle Ages is supposed to have been of camels’ hair, mixed with silk. Edward the Black Prince left to his confessor his bed of red caman, with his arms embroidered on each corner. Rock (p. xliv) gives us information about the tents and garments of camels’ hair found throughout the East, wherever the camel flourishes and has a fine hairy winter coat, which it sheds in the heat. The coarser parts are used for common purposes, and the finest serve for beautiful fabrics, especially shawls. Marco Polo tells of beautiful camelots manufactured from the hair of camels; and of the Egyptian coarse and very fine fabrics woven of the same materials.