[423] Calendar of State Papers, vol. clxxxi. No. 48.
[424] Rymer, “Fœdera,” vol. viii. p. 66, ed. 1743.
[425] Brydges, “Northamptonshire,” i. p. 323, under the head of “Stoke Bruere,” pt. 1, p. 48.
[426] Manning and Bray’s “History of Surrey,” vol. iii. p. 302.
[427] Horace Walpole, “Anecdotes of Painting in England,” vol. ii. p. 22.
[428] Macpherson, “Annals of Commerce.”
[429] There is in Brydges’ “Northamptonshire,” under the head of “Stoke Bruere” (the estate which King James gave to Sir F. Crane as part payment of the deficit of £16,400 in his tapestry business), mention of the cartoons of “Raphael of Urbin, ... had from Genoa,” and their cost, £300, besides the transport. M. Blanc says, with great justness, that Raphael, when he prepared these cartoons for tapestry, made designs for weaving, and did not paint pictures. If they had been intended for oil pictures, they would have been very differently treated.
[430] Calendar State Papers, Domestic, Sept. 28th, 1653.
[431] Horace Walpole’s “Anecdotes of Painting,” vol. iii. p. 64.
[432] See Evelyn’s very scarce tract, entitled “Mundus Muliebris,” printed 1690, p. 8.