The next European phase was the Gothic.[65] This was Arab and Moresque steeped in northern ideas; and finding its congenial soil, it grew into the most splendid, thoughtful, and finished style, far transcending anything that it had borrowed from eastern or southern sources.
All its traditions were carried out in the smaller decorative arts—mosaics, ivories, and metal works; and, last and not least, beautiful embroideries, to adorn the altars and the dresses of monarchs and nobles. (Plate [7].)
When taste was imperfect or declined, then the decorations were all rude, and the embroideries shared in the general rudeness or poverty; but as these crafts rose again, adding to themselves grace and beauty by study and experience, then needlework in England, Germany, France, Italy, and Spain grew and flourished.[66]
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Italian embroidery XV. Century
Kensington Museum
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