The little river, spanned by the above mentioned bridge, flowed from one pond into another, and thus enclosed the town at the north and south by swamps and broad expanses of water. The ponds had grown shallower from year to year, until at last they had become choked by vegetation, and tall, thickly-growing reeds now rippled like the sea upon the wide marshes. In the centre of one of these ponds was an island, and on the island stood an old, half-ruined castle.

I remember with what terror I used always to contemplate this mighty, decaying pile. Stories and legends, each one more frightful than the last, were current about it. The island, it was said, was artificial, piled up by the hands of captive Turks. “The castle is built upon human bones;” so ran the saying among the old people of the village, and my childish imagination pictured with horror thousands of Turkish skeletons supporting with bony hands the island, the castle, and the tall, pyramidal poplar trees. Of course this only made the castle appear more terrible than ever, and even on bright days, if, emboldened by the sunlight and the loud voices of the birds, we approached it too closely, it would ofttimes throw us into spasms of panic fear, so horribly did the dark cavities of its windows glower down upon us. A mysterious rustling would seem to stray through its deserted halls, and pebbles and bits of plaster would come rattling down, awakening the muffled echoes. At such times we would scamper away without even a glance behind us, seeming to hear, long after, sounds of clattering and banging and laughter resounding in our ears.

But, on autumn nights, when the giant poplars swayed and chanted under the wind that came flying to them across the ponds, this horror would spread from the island to the mainland and would reign over the whole village. “Oi vei mir!” the Jews would whisper with terror, while God-fearing old citizens crossed themselves, and even our nearest neighbour, the blacksmith, the very incarnation of diabolical strength, would come out into his little yard and, making the sign of the cross, would mutter under his breath a prayer for the peace of departed souls.

Old, grey-bearded Yanush, who, for lack of any other abode, had taken refuge in a cellar of the castle, had often told us that on such nights as these he could clearly hear cries rising from under the ground. It was the Turks stirring under the island, knocking their bones together, and loudly charging their Polish masters with cruelty. Then in the old castle halls and on the island would resound the clanking of arms, and the lords would call their liegemen together with loud shouts. Yanush could hear quite plainly, through the moaning and howling of the storm, the stamping of horses’ hoofs, the clashing of swords, and the words of command. He even heard, once, the great-grandfather of the present Count, immortalised by the memory of his ruthless deeds, come trampling out on his blooded steed, and, riding to the centre of the island, cry out with a dreadful oath: “Silence there, you yelping heathen dogs!”

The descendants of this Count had long since abandoned the home of their ancestors. The greater part of the ducats and treasure with which their coffers had once been filled to overflowing had crossed over the bridge into the hands of the Jews, and the last representatives of the glorious line had built themselves a commonplace white house on a hill a little farther from the town. Here their tedious but vainglorious lives were spent in contemptuous and dignified isolation.

Only at rare intervals did the old Count, himself a ruin as gloomy as the castle and the island, appear in the little town, mounted on an old nag of English breed. At his side through the streets rode his daughter, majestic and thin, in a black riding-habit, while their head groom followed respectfully behind. The stately Countess was fated to remain forever unwed. Any possible suitors who were her equals in birth had faint-heartedly scattered across the world in search of the rich daughters of merchants in foreign lands, and had either deserted their ancestral castles or had turned them over to be pulled down by the Jews. As for the little town which lay spread out at the foot of the hill, not a youth could be found there who would dare to raise his eyes to the beautiful Countess. We little boys, on catching sight of these three riders, would pick ourselves up out of the soft dust of the street, and, scattering timidly like a flock of birds into various houses, would follow the gloomy lords of the terrible castle with eyes full of curiosity and fear.

On a hill west of the town, among decaying crosses and sunken graves, there stood a long-deserted dissenting chapel, the offspring of a city in the valley proper below. Hither, in days of yore, the chapel bell had summoned the townsfolk in their clean if plain surtouts, with staves in their hands in place of the swords which rattled at the sides of the small farmers, also called hither from the neighbouring villages and farms by the clear notes of the chapel bell.

From here could be seen the island, with its great, sombre poplars, but the castle kept itself angrily and contemptuously hidden from the chapel behind their dense greenery. Only when the southwest wind rose from the reed-beds and descended upon the island did the sighing poplars sway aside and the castle windows gleam between them, allowing the castle to cast dark glances at the little chapel. Both were corpses now. The castle’s eyes were dim and no longer reflected the rays of the setting sun; the chapel’s roof had fallen in, and, in place of its sonorous, high-toned copper bell, the screech owls now raised their evil, midnight voices among its rafters.

But the old, historic gulf that had, in former times, divided the proud, lordly castle from the bourgeois dissenting chapel, continued even after their death, kept open by the worms that had burrowed into the crumbling corpses and had occupied the safest corners of their vaults and cellars. The coffin-worms infesting these lifeless buildings were men.

There had been a time when the ancient castle had served as a free refuge without restrictions of any kind for every poor wretch that needed it. Every one who could find no shelter in the town, every poor creature that had fallen on evil days and had lost, for one reason or another, the power to pay even the few copecks needed for a roof and fire by night and in stormy weather—all these poor wretches found their way to the island, and there hid their vanquished heads among the gloomy, threatening, tottering ruins, paying for the hospitality they found there only by the danger they ran of being buried alive under a pile of débris. “He lives in the castle” had come to be the expression used to denote the last stages of beggardom and civilian degradation. The old castle gladly received and sheltered every variety of wandering destitution: poor writers temporarily ruined, forlorn old women, and homeless vagabonds. These persons tore down the interior of the rotting building, broke up its floors and ceilings, lit their stoves, cooked heaven knows what, and, in a word, fulfilled in some way or another their functions of life.