Men of ingenuity, profound searchers into antiquity, who would know how the earth was made a hundred thousand years ago, if genius could discover it, have asserted that mankind, reduced to a very small number in both continents, and still terrified at the innumerable revolutions which this sad globe had undergone, perpetuated the remembrance of their calamities by dismal and mournful commemorations.
"Every feast," say they, "was a day of horror, instituted to remind men that their fathers had been destroyed by the fires of the volcanoes, by rocks falling from the mountains, by eruptions of the sea, by the teeth and claws of wild beasts, by war, pestilence and famine."
Then we are not made as men were then. There was never so much rejoicing in London as after the plague and the burning of the whole city in the reign of Charles II. We made songs while the massacres of Bartholomew were still going on. Some pasquinades have been preserved which were made the day after the assassination of Coligni; there was printed in Paris, Passio Domini nostri Gaspardi Colignii secundum Bartholomæum.
It has a thousand times happened that the sultan who reigns in Constantinople has made his eunuchs and odalisks dance in apartments stained with the blood of his brothers and his viziers. What do the people of Paris do on the very day that they are apprised of the loss of a battle and the death of a hundred brave officers? They run to the play and the opera.
What did they when the wife of Marshal d'Ancre was given up in the Grève to the barbarity of her persecutors? When Marshal de Marillac was dragged to execution in a wagon, by virtue of a paper signed by robed lackeys in Cardinal de Richelieu's ante-chamber? When a lieutenant-general of the army, a foreigner, who had shed his blood for the state, condemned by the cries of his infuriated enemies, was led to the scaffold in a dung-cart, with a gag in his mouth? When a young man of nineteen, full of candor, courage and modesty, but very imprudent, was carried to the most dreadful of punishments? They sang vaudevilles. Such is man, at least man on the banks of the Seine. Such has he been at all times, for the same reason that rabbits have always had hair, and larks feathers.
SECTION V.
On the Origin of the Arts.
What! we would know the precise theology—of Thoth, Zerdusht, or Sanchoniathon, although we know not who invented the shuttle. The first weaver, the first mason, the first smith were undoubtedly great geniuses; yet no account has been made of them. And why? Because not one of them invented a perfect art. He who first hollowed the trunk of an oak for the purpose of crossing a river did not build galleys; nor did they who piled up unhewn stones, and laid pieces of wood across them, dream of the pyramids. Everything is done by degrees, and the glory belongs to no one.
All was done in the dark, until philosophers, aided by geometry, taught men to proceed with accuracy and safety.
It was left for Pythagoras, on his return from his travels, to show workmen the way to make an exact square. He took three rules: one three, one four, and one five feet long, and with these he made a right-angled triangle. Moreover, it was found that the side 5 furnished a square just equal to the two squares produced by the sides 4 and 3; a method of importance in all regular works.