Emulation in art has changed the face of the continent, from the Pyrenees to the icy sea. There is hardly a prince in Germany who has not made useful and glorious establishments.
What have the Turks done for glory? Nothing. They have ravaged three empires and twenty kingdoms; but any one city of ancient Greece will always have a greater reputation than all the Ottoman cities together.
See what has been done in the course of a few years at St. Petersburg, which was a bog at the beginning of the seventeenth century. All the arts are there assembled, while in the country of Orpheus, Linus, and Homer, they are annihilated.
That the Recent Birth of the Arts does not Prove the Recent Formation of the Globe.
All philosophers have thought matter eternal; but the arts appear to be new. Even the art of making bread is of recent origin. The first Romans ate boiled grain; those conquerors of so many nations had neither windmills nor watermills. This truth seems, at first sight, to controvert the doctrine of the antiquity of the globe as it now is, or to suppose terrible revolutions in it. Irruptions of barbarians can hardly annihilate arts which have become necessary. Suppose that an army of negroes were to come upon us, like locusts, from the mountains of southern Africa, through Monomotapa, Monoëmugi, etc., traversing Abyssinia, Nubia, Egypt, Syria, Asia Minor, and all Europe, ravaging and overturning everything in its way; there would still be a few bakers, tailors, shoemakers, and carpenters left; the necessary arts would revive; luxury alone would be annihilated. Such was the case at the fall of the Roman Empire; even the art of writing became very rare; nearly all those arts which contributed to render life agreeable were for a long time extinct. Now, we are inventing new ones every day.
From all this, no well-grounded inference can be drawn against the antiquity of the globe. For, supposing that a flood of barbarians had entirely swept away the arts of writing and making bread; supposing even that we had had bread, or pens, ink, and paper, only for ten years—the country which could exist for ten years without eating bread or writing down its thoughts could exist for an age, or a hundred thousand ages, without these helps.
It is quite clear that man and the other animals can very well subsist without bakers, without romance-writers, and without divines, as witness America, and as witness also three-fourths of our own continent. The recent birth of the arts among us does not prove the recent formation of the globe, as was pretended by Epicurus, one of our predecessors in reverie, who supposed that, by chance, the declination of atoms one day formed our earth. Pomponatius used to say: "Se il mondo non é eterno, per tutti santi é molto vecchio"—"If this world be not eternal, by all the saints, it is very old."
Slight Inconveniences Attached to the Arts.
Those who handle lead and quicksilver are subject to dangerous colics, and very serious affections of the nerves. Those who use pen and ink are attacked by vermin, which they have continually to shake off; these vermin are some ex-Jesuits, who employ themselves in manufacturing libels. You, Sire, do not know this race of animals; they are driven from your states, as well as from those of the empress of Russia, the king of Sweden, and the king of Denmark, my other protectors. The ex-Jesuits Polian and Nonotte, who like me cultivate the fine arts, persecute me even unto Mount Krapak, crushing me under the weight of their reputation, and that of their genius, the specific gravity of which is still greater. Unless your majesty vouchsafe to assist me against these great men, I am undone.