If the three first evangelists—St. Matthew, St. Mark, and St. Luke—make Jesus Christ to have lived but three months from his baptism in Galilee till his crucifixion at Jerusalem; and if St. John extends that time to three years and three months, it is easy to approximate St. John to the other evangelists, as he does not expressly state that Jesus Christ preached in Galilee for three years and three months, but only leaves it to be inferred from his narrative. Should a man renounce his religion upon simple inferences, upon points of controversy, upon difficulties in chronology?
It is impossible, says Meslier, to harmonize St. Mark and St. Luke; since the first says that Jesus, when he left the wilderness, went to Capernaum, and the second that he went to Nazareth. St. John says that Andrew was the first who became a follower of Jesus Christ; the three other evangelists say that it was Simon Peter.
He pretends, also, that they contradict each other with respect to the day when Jesus celebrated the Passover, the hour and place of His execution, the time of His appearance and resurrection. He is convinced that books which contradict each other cannot be inspired by the Holy Spirit; but it is not an article of faith to believe that the Holy Spirit inspired every syllable; it did not guide the hand of the copyist; it permitted the operation of secondary causes; it was sufficient that it condescended to reveal the principal mysteries, and that in the course of time it instituted a church for explaining them. All those contradictions, with which the gospels have been so often and so bitterly reproached, are explained by sagacious commentators; far from being injurious, they mutually clear up each other; they present reciprocal helps in the concordances and harmony of the four gospels.
And if there are many difficulties which we cannot solve, mysteries which we cannot comprehend, adventures which we cannot credit, prodigies which shock the weakness of the human understanding, and contradictions which it is impossible to reconcile, it is in order to exercise our faith and to humiliate our reason.
Contradictions in Judgments Upon Works of Literature or Art.
I have sometimes heard it said of a good judge on these subjects, and of exquisite taste, that man decides according to mere caprice. He yesterday described Poussin as an admirable painter; to-day he represents him as an ordinary one. The fact is, that Poussin has merited both praise and censure.
There is no contradiction in being enraptured by the delicious scenes of the Horatii and Curiatii, of the Cid, of Augustus and of Cinna, and afterwards in seeing, with disgust and indignation, fifteen tragedies in succession, containing no interest, no beauty, and not even written in French.
It is the author himself who is contradictory. It is he who has the misfortune to differ entirely from himself. The critic would contradict himself, if he equally applauded what is excellent and detestable. He will admire in Homer the description of the girdle of Venus; the parting of Hector and Andromache; the interview between Achilles and Priam. But will he equally applaud those passages which describe the gods as abusing and fighting with one another; the uniformity in battles which decide nothing; the brutal ferocity of the heroes, and the avarice by which they are almost all actuated; in short, a poem which terminates with a truce of eleven days, unquestionably exciting an expectation of the continuation of the war and the taking of Troy, which, however, are not related?
A good critic will frequently pass from approbation to censure, however excellent the work may be which he is perusing.