It might also very well happen that men naturally liking images and tales, ingenious persons amused themselves with composing them, without any other motive. However that may be, fable is more ancient than history.
Among the Jews, who are quite a modern people in comparison with the Chaldæans and Tyrians, their neighbors, but very ancient by their own accounts, fables similar to those of Æsop existed in the time of the Judges, 1233 years before our era, if we may depend upon received computations.
It is said in the Book of Judges that Gideon had seventy sons born of his many wives; and that, by a concubine, he had another son named Abimelech.
Now, this Abimelech slew sixty-nine of his brethren upon one stone, according to Jewish custom, and in consequence the Jews, full of respect and admiration, went to crown him king, under an oak near Millo, a city which is but little known in history.
Jotham alone, the youngest of the brothers, escaped the carnage—as it always happens in ancient histories—and harangued the Israelites, telling them that the trees went one day to choose a king; we do not well see how they could march, but if they were able to speak, they might just as well be able to walk. They first addressed themselves to the olive, saying, "Reign thou over us." The olive replied, "I will not quit the care of my oil to be promoted over you." The fig-tree said that he liked his figs better than the trouble of the supreme power. The vine gave the preference to its grapes. At last the trees addressed themselves to the bramble, which answered: "If in truth ye anoint one king over you, then come and put your trust in my shadow; and if not, let fire come out of the bramble and devour the cedars of Lebanon."
It is true that this fable falsifies throughout, because fire cannot come from a bramble, but it shows the antiquity of the use of fables.
That of the belly and the members, which calmed a tumult in Rome about two thousand three hundred years ago, is ingenious and without fault. The more ancient the fables the more allegorical they were.
Is not the ancient fable of Venus, as related by Hesiod, entirely a fable of nature? This Venus is the goddess of beauty. Beauty ceases to be lovely if unaccompanied by the graces. Beauty produces love. Love has features which pierce all hearts; he wears a bandage, which conceals the faults of those beloved. He has wings; he comes quickly and flies away the same.
Wisdom is conceived in the brain of the chief of the gods, under the name of Minerva. The soul of man is a divine fire, which Minerva shows to Prometheus, who makes use of this divine fire to animate mankind.
It is impossible, in these fables, not to recognize a lively picture of pure nature. Most other fables are either corruptions of ancient histories or the caprices of the imagination. It is with ancient fables as with our modern tales; some convey charming morals, and others very insipid ones.