It is not good for any kind of work to be opposed to grace, for its opposite is rudeness, barbarity, and dryness. The Hercules of Farnese should not have the gracefulness of the Apollo of Belvidere and of Antinous, but it is neither rude nor clumsy. The burning of Troy is not described by Virgil with the graces of an elegy of Tibullus: it pleases by stronger beauties. A work, then, may be deprived of grace, without being in the least disagreeable. The terrible, or horrible, in description, is not to be graceful, neither should it solely affect its opposite; for if an artist, whatever branch he may cultivate, expresses only frightful things, and softens them not by agreeable contrasts, he will repel.
Grace, in painting and sculpture, consists in softness of outline and harmonious expression; and painting, next to sculpture, has grace in the unison of parts, and of figures which animate one another, and which become agreeable by their attributes and their expression.
Graces of diction, whether in eloquence or poetry, depend on choice of words and harmony of phrases, and still more upon delicacy of ideas and smiling descriptions. The abuse of grace is affectation, as the abuse of the sublime is absurdity; all perfection is nearly a fault.
To have grace applies equally to persons and things. This dress, this work, or that woman, is graceful. What is called a good grace applies to manner alone. She presents herself with good grace. He has done that which was expected of him with a good grace. To possess the graces: This woman has grace in her carriage, in all that she says and does.
To obtain grace is, by a metaphor, to obtain pardon, as to grant grace is to grant pardon. We make grace of one thing by taking away all the rest. The commissioners took all his effects and made him a gift—a grace—of his money. To grant graces, to diffuse graces, is the finest privilege of the sovereignty; it is to do good by something more than justice. To have one's good graces is usually said in relation to a superior: to have a lady's good graces, is to be her favorite lover. To be in grace, is said of a courtier who has been in disgrace: we should not allow our happiness to depend on the one, nor our misery on the other. Graces, in Greek, are "charities"; a term which signifies amiable.
The graces, divinities of antiquity, are one of the most beautiful allegories of the Greek mythology. As this mythology always varied according either to the imagination of the poets, who were its theologians, or to the customs of the people, the number, names, and attributes of the graces often change; but it was at last agreed to fix them as three, Aglaia, Thalia, and Euphrosyne, that is to say, sparkling, blooming, mirthful. They were always near Venus. No veil should cover their charms. They preside over favors, concord, rejoicings, love, and even eloquence; they were the sensible emblem of all that can render life agreeable. They were painted dancing and holding hands; and every one who entered their temples was crowned with flowers. Those who have condemned the fabulous mythology should at least acknowledge the merit of these lively fictions, which announce truths intimately connected with the felicity of mankind.
GRACE (OF).
SECTION I.
This term, which signifies favor or privilege, is employed in this sense by theologians. They call grace a particular operation of God on mankind, intended to render them just and happy. Some have admitted universal grace, that which God gives to all men, though mankind, according to them, with the exception of a very small number, will be delivered to eternal flames: others admit grace towards Christians of their communion only; and lastly, others only for the elect of that communion.