Apollo loves Daphne, but Daphne does not love Apollo. This is because love has two kinds of arrows; the one golden and piercing, the other leaden and blunt. Apollo has received in his heart a golden arrow, Daphne a leaden one.
Ecce sagittifera prompsit duo tela pharetra
Diversorum operum; fugat hoc, facit illud amorem
Quod facit auratum est, et cuspide fulget acuta;
Quod fugat obtusum est, et habet sub arundine plumbum....
Two different shafts he from his quiver draws;
One to repel desire, and one to cause.
One shaft is pointed with refulgent gold,
To bribe the love, and make the lover bold;
One blunt and tipped with lead, whose base allay
Provokes disdain, and drives desire away.
—DRYDEN.
These figures are all ingenious, and deceive no one.
That Venus, the goddess of beauty, should not go unattended by the Graces, is a charming truth. These fables, which were in the mouths of all—these allegories, so natural and attractive—had so much sway over the minds of men, that perhaps the first Christians imitated while they opposed them.
They took up the weapons of mythology to destroy it, but they could not wield them with the same address. They did not reflect that the sacred austerity of our holy religion placed these resources out of their power, and that a Christian hand would have dealt but awkwardly with the lyre of Apollo.
However, the taste for these typical and prophetic figures was so firmly rooted that every prince, every statesman, every pope, every founder of an order, had allegories or allusions taken from the Holy Scriptures applied to him. Satire and flattery rivalled each other in drawing from this source.
When Pope Innocent III. made a bloody crusade against the court of Toulouse, he was told, "Innocens eris a maledictione." When the order of the Minimes was established, it appeared that their founder had been foretold in Genesis: "Minimus cum patre nostro."
The preacher who preached before John of Austria after the celebrated battle of Lepanto, took for his text, "Fuit homo missus a Deo, cui nomen erat Johannes;" A man sent from God, whose name was John; and this allusion was very fine, if all the rest were ridiculous. It is said to have been repeated for John Sobieski, after the deliverance of Vienna; but this latter preacher was nothing more than a plagiarist.
In short, so constant has been this custom that no preacher of the present day has ever failed to take an allegory for his text. One of the most happy instances is the text of the funeral oration over the duke of Candale, delivered before his sister, who was considered a pattern of virtue: "Die, quia soror, mea es, ut mihi bene eveniat propter, te."—"Say, I pray thee, that thou art my sister, that it may be well with me for thy sake."
It is not to be wondered at that the Cordeliers carried these figures rather too far in favor of St. Francis of Assisi, in the famous but little-known book, entitled, "Conformities of St. Francis of Assisi with Jesus Christ." We find in it sixty-four predictions of the coming of St. Francis, some in the Old Testament, others in the New; and each prediction contains three figures, which signify the founding of the Cordeliers. So that these fathers find themselves foretold in the Bible a hundred and ninety-two times.