METAMORPHOSIS, METEMPSYCHOSIS
Is it not very natural that all the metamorphoses with which the world is covered should have made people imagine in the Orient, where everything has been imagined, that our souls passed from one body to another? An almost imperceptible speck becomes a worm, this worm becomes a butterfly; an acorn transforms itself into an oak; an egg into a bird; water becomes cloud and thunder; wood is changed into fire and ash; everything in nature appears, in fine, metamorphosed. Soon people attributed to souls, which were regarded as light figures, what they saw in more gross bodies. The idea of metempsychosis is perhaps the most ancient dogma of the known universe, and it still reigns in a large part of India and China.
MILTON, ON THE REPROACH OF PLAGIARISM AGAINST
Some people have accused Milton of having taken his poem from the tragedy of "The Banishment of Adam" by Grotius, and from the "Sarcotis" of the Jesuit Masenius, printed at Cologne in 1654 and in 1661, long before Milton gave his "Paradise Lost."
As regards Grotius, it was well enough known in England that Milton had carried into his epic English poem a few Latin verses from the tragedy of "Adam." It is in no wise to be a plagiarist to enrich one's language with the beauties of a foreign language. No one accused Euripides of plagiarism for having imitated in one of the choruses of "Iphigenia" the second book of the Iliad; on the contrary, people were very grateful to him for this imitation, which they regarded as a homage rendered to Homer on the Athenian stage.
Virgil never suffered a reproach for having happily imitated, in the Æneid, a hundred verses by the first of Greek poets.